Hacker 2-Essay

Nyasia 2022-03-20 09:01:04

The Matrix can be regarded as a better movie in commercial films, both viewing and connotation, 2 to 1 is good-looking, although it is more exaggerated.

But there are still bright spots. The male lead's kung fu has made great progress, so it is not against the harmony to watch more plays. Especially when wearing a long gown and using soft and strong moves, it is quite like Donnie Yen Yewen. I thought that one of Donnie Yen’s 10 is good enough. I didn’t expect that the male lead could still play 100 each... but the play , Special effects increase, and the emotional drama of the male and female protagonists increases, and the commercial flavor of the film becomes stronger. What I want to complain about is the gunfight as always. I shot a few shuttles from a distance of ten meters and did not bring them. I feel that the bullets are still too cheap...

There are still many Chinese elements in the film, such as Chinese characters, Chinese cities, Kung Fu, key figures of the yellow race, and Zhou Zhaolong.

Btw, the two goddesses (Kerian Moss and Monica) appeared at the same time, which was so pleasantly surprised.

The screenwriter's brain hole is even more outrageous (the new rules of the game in 2).

1. The male protagonist not only soars in his strength, but also can fly, he is simply superman. Increased the ability to predict, and the ability is not limited by time and space. Not only that, the immortality aura of the hero and heroine is too ridiculous, and they can be resurrected when they die. This time it is the heroine's turn to resurrect, and it is the power of love...Finally, the hero has the ability to paralyze the squid. Show off your power in 3.

2. Problem (mutation) programs occasionally appear in the mother's body. In order to ensure the mother's internal balance, the host computer will deal with the problematic programs, but these programs are not fools. They have evolved to be smart. They would rather be expelled than deleted. So these programs choose to hide in the mother body.

Regarding why the programs were deleted from the parent body: The old programs may be malfunctioning, or there may be better programs to replace them.

3. The robot agent can also be regarded as a computer program. Coincidentally, a robot agent named Smith also mutated. He was killed by the male protagonist in the first part. He was resurrected for special reasons. Not only was he no longer controlled by the mother, but his strength was greatly increased. He possessed terrible replication skills. Inserting into the hacker team or other robot agents can make it a clone of itself. One of the hacker team members has become a clone and sneaked into Zion.

4. This episode of virtual world has a new function, just like any door of Doraemon. Open the door with a designated key, and the scene inside can be changed to the designated place.

This kind of door in the film is the "back door" of the virtual world (matrix), and it is the secret channel of the programmer.

Synopsis of the plot.

The hero and his party returned to Zion (the last city in the real world). 250,000 squids intend to attack Zion, and the battle is about to start. At this critical moment, Memphis asked to return to the mother body to meet with the priest for major discussions.

The identity of the priest is explained for the first time: The priest is not a human, but a program of the computer host (maternal body), and the priest's bodyguard Zou Zhaolong is also a program of the parent body. Priest is a problematic program. Because of its ability to predict the future, it will destroy the internal balance in the mother's body, so it is "wanted" by the mother's body and faces the risk of being "deleted". When the priest met with the hero, it was revealed that Zion was about to die, and only when the "key man" was found would there be a glimmer of hope of victory. The ultimate goal of the male protagonist is to enter the virtual world (maternal body) computer host and destroy it with the help of key characters, and release all mankind. So the next step is to focus on how to rescue key people and enter the mother's computer host with difficulties and twists.

In the end, the male protagonist didn’t do anything on the host computer, because he knew that the female protagonist was in danger and immediately saved the life...just to the creator of the mother body (I don’t know if it was a robot or a human), I was very doubtful about the male protagonist. Don't you just kill him and all the ass is gone?

Subsequently, the Memphis spaceship was blown up by squids, but was pleasantly surprised to find that the male protagonist had the ability to paralyze squids. At the end of the film, the introduction to the coming of Zion is over. 2 is just a link, and 3 is the final battle.

There is a (connotative) segment in the film that impressed me deeply.

"Choice is a lie for the strong to deceive the weak", it sounds useless.

But the choice is often based on strength. With strength, you can not only choose but also have the power to dominate, and those without strength can only control and be dominated. The scene in the toilet confirms all this. Although the host and the host love each other, under the pressure of Monica Bellucci's bargaining chip, the two cannot only obediently submit to the overall situation. This scene is undoubtedly profound. Being forced to kiss someone in front of a lover is no different from being raped, let alone any choice.

The reality is that when the strength is not strong enough, it is not your turn to choose, you will only be chosen.

View more about The Matrix Reloaded reviews

Extended Reading

The Matrix Reloaded quotes

  • Persephone: ...just a sample.

    Trinity: How about you sample this instead?

    [draws her gun]

  • Neo: I suppose the most obvious question is, how can I trust you?

    The Oracle: Bingo. It is a pickle. No doubt about it. The bad news is there's no way if you can really know whether I'm here to help you or not, so it's really up to you. You just have to make up you on damned mind to either accept what I'm going to tell you, or reject it.