The most sacred mission of a toy is to find its owner.
This is the fate of toys born as objects. Therefore, finding the owner and the attitude of the owner determine the fate of the toys: there is a circle of solidarity and mutual assistance—in the world of Hudi and Buzz Lightyear, each other They are like-minded and full of goodwill. The scenes they appear are always full of sunshine and warmth. The purpose of everyone getting together is to make the owner happy; there are also circles full of stratification. The world dominance in the sunshine nursery is creepy-the leader Hug bears (strawberry bears) have become irritable and arbitrary because they have been abandoned by their masters. They are always in dark scenes. The rulers try to control all the toys in the small house. There are also antique shops with many items. Living with lost toys that are accustomed to free growth, once they hear the word "master", their expressions will become extremely expectant and unbelievable.
Revisiting "Toy Story", what shocked me was not only when Buzz Lightyear, who was once extremely confident, found out that he was just an ordinary person (maybe I had accepted the fact that I was an ordinary person a long time ago), but also touched me. It's the confusion surrounding toys, about belonging and identity- who am I? (Is it a chosen child or rubbish?) Who can give me my sense of security? (What should I do if no one gives it to me) Can I get my own master?
Accepting yourself and recognizing yourself are the eternal propositions of toy life. In fact, people are not much more advanced than toys.
When you become more aware in life that the relationship between people is far beyond your own control, you will gradually realize that when you are dissatisfied with others, you are often dissatisfied with yourself. Just like Hu Di kept preventing Chacha from returning to the trash can, he thought it was "Bonnie can't do without Chacha", but in fact, "I can't do without Bonnie."
Those moments of humble, longing, and unwillingness in life are all because we more or less need a master? We hope that someone will be loved, and we hope to be a C position throughout our lives.
"Even if the master doesn't need me when I grow up, it doesn't matter, as long as we have had a good memory."
Most of us, like Hu Di, seem to be very capable on the surface, have efficient execution and planning, and are the leader of the team, but only if he perceives Andy/Bonny’s love, if One day this love will waver, and he will sink with one blow.
The least people can do is Abao.
"I don't want to sit on the shelf and wait for destiny." "So, I chose to leave."
"Do you really feel like you won't go into your child's room anymore?" (Hu Di)
"Will not"
"Old toys can't make any new tricks" (Hu Di)
In my opinion, Abao is the only toy that has walked out of the quarrel in search of its owner. She is living her life. Those worries confined to the attic-utility room-master room, those worries that will be abandoned at any time, those worries of waiting for the uncertain love no longer exist-as long as you realize that you don't need a master.
This process of transformation may be painful, but from then on you are free.
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