I really like the layout of the city defense, classical and heavy, but I don't understand why such an obvious weakness is left for the enemy to break through and not defended in advance.
The women of Rohan, who were interspersed with sorrow and fear during the battle, had a bad impression. They repeatedly emphasized that they should hide women and children and let them escape. It was a little speechless (I saw more than one child among the men on the battlefield...), Io Wen made some self-improvement remarks and showed good sword surgery. The scene in the war was just touching Aragorn’s face and hugging him after victory (but there should be growth lines behind her. Bar?).
All the main female characters in it, either with long hair fluttering, or babbling, or both long and fluttering hair, and babbling, are all just men's foils. The Lord of the Rings is indeed a movie that is completely male. (For now, right)
The three lines divided by the Fellowship of the Ring make the characters other than Frido more full and three-dimensional, each with its own characteristics and display opportunities, which is quite good in the group portrait movie. Frido and Sam are not too much. I'm so stunned, my face is so full of laughter. . .
Compared with the current fantasy epic movies, the Lord of the Rings 20 years ago is outdated in scene scheduling and special effects production, but it still has the magic power to attract "modern audiences" like me. The technological advancement is fleeting, but The style lasts forever.
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