Objectively speaking, I think it’s overwhelming. Because I watched in the end and the imax I watched, the sense of immersion is very strong. But objectively speaking, I can see that the director wants to explain the information on the basis of the first view. Maintaining the diversity of the shots and keeping the audience’s interest caused me to have physical discomfort for a while, and the most important thing is that except for the sense of immersion in the end, I feel that the director is treating the audience as a child. The way of expression is very traditional and Hollywood, whether it is color. The use of composition and dynamic lines is like standard elementary textbooks. I’m afraid you don’t understand this. This is particularly silly. There is also a point that makes me feel that there is no nonsense. Although the story is explained without any nonsense, all foreshadowing has a closed loop, but the story line is too single. The only possibility It’s a bit shining, but when I finally reported to the destination, the general agreed to it all at once. Originally, I thought there would be an orgasm, but I didn’t push it up, and when I saw my brother, I didn’t push it up, it was a bit worse. It inevitably makes me feel that the storyline is a bit anticlimactic, not to mention the single character creation. So in general, except for a mirror, the special flashes are like a very flat and stable eight-legged essay. More accurately, it looks like a pure platinum collar. It’s inlaid with small pieces of diamonds and the name is very out of touch. 1917... It’s better to save Private Will... But there is a section that I like very much when the last protagonist runs to General Mai. The green grass on the background of the charge (although the bomb’s special effects are very fake at this time), but the long shots are full of emotional music characters. This is my deepest impression. Finally, I recommend it. After all, I can see that the photographer is also I worked hard and the photography is still great
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