Passing through no-man’s land was careful and even slightly procrastinated. I didn’t expect the enemy’s bullet, but a mouse touched the lead of the mine. Perhaps this is exactly the cruelty of the war. Death came at an unknown time or in any way. It was just a knife, a few minutes, just a few minutes, just joking, The life that was originally alive has passed away. The slack in the whole film is also obvious. 1,600 lives are tied to one person's hands, in a precarious situation, and people's hearts are always hanging. When the remnants of the German army wandered on the ground, the mutual assistance between French women and Sco was particularly precious. The lights were quiet, and the language-barred silence could be called silent warmth. Under the single-line narrative, the plot is clear and clear, and the scene design and detailed arrangement make the film not boring. Falling horses, raging flies and mice, craters and corpses in rivers all create the fierceness of war; flares one after another, bright and dark, burning broken walls, the fierce post-war scenes have a sense of prehistoric chaos; After Sco escaped from the dead, a military song in the middle of the forest was solemn and sad. At the end, Sko lay down under the tree, returning to the rest and tranquility of the opening, and it seemed that after the war, things were right and wrong.
View more about 1917 reviews
