In 2001, Jack Bauer was born. This hero is also indestructible. He will encounter unsolvable problems, get injured, and, more rarely, cry. The 9/11 disaster told Americans that even if you are a superman, there are things you can't do. The sadness of 9/11 in Bauer's body makes almost all the old beauty empathize. A "24" completely conquered the audience and pulled 007 off the altar. Bauer did his part and became a new spy star and a new heroic spokesperson in the new century.
After all, Bauer is just a character in the "doll box", and the big screen also needs such a flesh and blood guy, and the Yankee has never lacked the brains of being a hero. Thus, Jason Bourne came into being. I quite appreciate the character of this spy series in a film review: cutting-edge retroism. Is not it? The old spy techniques of tracking, anti-tracking, punching and kicking, and flying over the wall have been re-interpreted one by one by modern photography techniques such as portable DV follow-up, multiple wide-angle lenses, and combined with the urban scenery of European countries, bringing out a very special Visual effects.
Bourne perfectly combines the advantages of 007 and Jack Bauer, super power but not omnipotent, but also avoids some of the shortcomings of the two "predecessors". It mainly corrects the too dark tone of Bauer's character, so that people don't want to think about it. The world is desperate. Matt Damon's slightly dull face, playing such a character who is not sad, not passionate, or not sensational, is just right.
Nowadays, screenwriters are really hard to do. To make a hero model, we have to consider whether the audience accepts it or not, and we have to find a way to convince the audience that such a character is by our side. From this perspective, the Bourne trilogy accomplished the task well. I heard that when many people came out of the theater, they would subconsciously take a glance left and right to guess if a Bourne would suddenly pop out.
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