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"Seven Deadly Sins" pull notes
00:17 ——00:59
In the first scene, the sound comes first into the noisy urban environment, the siren outside, and the neighbors' voices. This is actually the source of the protagonist's anxiety, pessimism and indifference.
Introduce the protagonist's identity to chess with low income prospects (cultured)
The old school style: overalls, washed and ironed white shirt, black tie, brass key chain, handkerchief, switch knife, leather reading glasses box. Several things are arranged in order.
Finally put on a duffle suit.
By the way, the protagonist's occupation is also introduced-the police badge.
This scene is compared with Pete's dressing in the morning.
There is a rose wallpaper on the handkerchief, which is a prop in the original script.
In the original script, Morgan was going to buy a house in the suburbs. He wanted to be transferred to the police station.
01: 00-01: 56
From the body of the man whose head was blasted off
Once again, Morgan's clothes, top hat and windbreaker are emphasized. From the light zone, walk into the dark part.
It shows that he is cautious in investigating the details and is not easy to draw conclusions.
In the original script, it was implied that the little boy actually killed his dad.
Pete played, leather jacket, soft shirt, basketball tie, it is estimated that it is a gift.
[Clothing style is the character, which helps to shape the character. For example: "In the Mood for Love"]
01:57——03:24
Pete looked at the girl with a frivolous attitude.
The two talked for the first time, in order to show that the two people were not communicating smoothly, so they made arrangements so that outsiders kept interrupting the conversation between them.
And when it is raining outdoors, let them walk under the plastic canopy to aggravate the sound of rain and emphasize the environmental sound again. Police sirens.
David Fincher created a Gotham City situation in Los Angeles.
All house numbers appearing in the film are related to 7. The title is "seven".
Seven days were emphasized in the dialogue, and a countdown concept was forced into the audience.
In the dialogue here, Morgan can't understand why Pete is obsessed with transferring to this city. This is the concept of a besieged city. People in the city want to escape, people outside the city want to rush in. There is no beginning, no ending, only eternal predicament.
03:24——04:10
Morgan's house still has loud environmental noises, neighbours arguing, and police sirens. He had to turn on the metronome to get rid of the noise.
The comparison between metronome and vinyl record player is also old-school, but with different meanings. Morgan is a man with no life and no entertainment, so he uses a monotonous metronome. Morgan
After adding the sound effect of the metronome, the environmental sound is improved. Then use an animation transition.
04:10-06:18
The most awesome title in movie history was born.
Background music nine-inch nail "closer", title design Kyle Cooper, "The Mummy", "Spiderman", "The Walking Dead", "American Horror Story"
The title took two days to shoot and five days to edit.
Broken messages, handwritten fonts, dirty pictures, and scratched film are like the credits made by criminals themselves.
The title not only has a unique aesthetic value, but also a relatively independent narrative meaning that obeys the film.
It fully demonstrates Kevin's early crime process and psychological motivation.
06:19-07:33
Monday
Pete got up, echoing Morgan's getting up and getting dressed and going out. From a series of designs, it is the opposite of Morgan. But the same ambient sound
Pete, has a very affectionate wife. Crumpled shirt, messy tie, leftover water from yesterday.
Pete said: Serpico's got to go. Serpico is the 1973 film "Conflict" starring Al Pacino. As a result, the idealistic young policeman played by Al Pacino did not get a good end.
07:34-12:42
The two entered the scene of the first case.
Pete had just bragged, and the next game would be watered in the rain. There is no rain design in the original script, therefore, the whole film has been rainy and should be the design of Vinci.
After showing Morgan's trunk, it feels like Morgan has no private life, it's all things for work.
Vinci did not avoid the sun and rain, and it was all theatrical logic, such as light bulbs that were turned on during the day. Vinci loves low color temperature light sources.
At the beginning, there are two side-to-back and back-to-back motion shots, but when entering the room, the shot becomes backward. The audience is not allowed to see the scene seen by the police officer. This is actually a characterization paragraph, not based on the facts of the case. This is also because the case is attractive enough.
The indoor light is dim. On the one hand, it creates atmosphere, on the other hand, it strictly controls the amount of information. High color temperature and low color temperature correspond to each other.
High color temperature: flashlight, TV. Low color temperature: wall lamp, table lamp.
The hypothetical (dramatic) of the light in Vinci's film is completely greater than the reality. This is
Use props to shape the character. Morgan's flashlight moved slowly, showing his calmness. Pete's flashlight swayed left and right, looking impetuous.
Somerset in the original script is 45 years old.
For the first time in this scene, Morgan and Pete separated from the scene, revealing the dead. Obviously, the amount of control information in the front played a shocking role here, a fat corpse, which is lacking in the audience's audiovisual experience.
In this scene, Pete's lines are all misleading, until Morgan discovers the binding. And as the audience wanted, Pete was fooled once (the vomit was found).
Morgan was methodical, and found two important clues-bondage and injury. This can characterize the case as murder, not death due to illness or suicide.
It can be seen from this scene that Finch must be a director who is particularly annoying at the scene. The details are too complicated, which is the best example.
12:43-13:27
Pete complained to Morgan in the car that he should not be driven from the scene of the crime.
The rain was uneven, Morgan's pouring rain, and Pete's patter. It can be seen that the budget at that time was not high. Vinci is not a money-burning director.
This scene is actually not well done in the original script or in the film. Just continue the quarrel that didn't end in the last scene.
[What should I do? 】
(46:12—47:57) The conversation on the fingerprint outdoor sofa.
(49:11-50:17) The conversation in the car before the arrest of the living dead.
The three scenes of the dialogue between two people should be watched together. These three scenes are not about the discussion of the case, but also the interpretation of the main idea.
Therefore, this scene should be Morgan should explain a little bit of his own values, and say some nonsense that Pete thinks.
13:28-14:46
Forensic Anatomy Room
The rainwater catches the faucet and sprays the dead body.
The forensic doctor is the rotisserie owner of "House of Cards".
The volume of lines in this scene is very large, and three people have assumed three roles.
The forensic doctor is responsible for throwing information, Pete is responsible for disrupting the audiovisual, and Morgan is responsible for helping the audience come up with real information points.
This scene is a good demonstration of lines-how to write nonsense, how to save the audience from the nonsense, and develop in the next scene.
If this scene is written in accordance with the "superior detective", then all the words of Morgan's next scene will become nonsense. Step by step is the most important thing.
14:47-17:06
Morgan was in the captain's office, passed the previous observation clues, and then began to "restore" the incident.
After affirming the murder, Morgan tried to rule out the possibility of a vendetta. He believed that the motive was unknown.
And Morgan didn't want to take this case that might not end, nor did he want Pete to take this case.
This is very similar to "Million Dollar Baby", the old coach does not want the girl to participate in boxing training, does not want her to join this cruel sport. But the tragedy of fate is the unavoidable occurrence of tragedy. The pity of tragedy is that tragedy is repeated every day.
This is still the tragedy of the siege.
17:07-17:17
【Tuesday】
The cutscene, the news of the tragic death of a famous lawyer was published in the newspaper.
Because the next scene is "greedy", the newspaper seller is arranged to count the money.
17:18-19:26
Pete walked through the group of reporters and came to the scene of the second crime. The director deliberately arranged for the actors to walk through a long corridor, and then used the whispers of people nearby to express two messages. First, the case is serious and a famous person died. Second, everyone doesn't trust the hairy boy, Pete. Moreover, from the words of the district attorney interviewed on TV, Pete felt tremendous pressure.
The director put the most shocking tragedy behind the scene of the crime. And leaving a clue at the end of the show is the glasses painted on the lawyer's wife's photo with blood.
The scene hardly showed any details of the scene. After all, it was Pete who was investigating the case. His sight led the audience, and the audience could only feel emotions.
19:27-21:41
The beginning is that Somerset's name is about to be scraped off. The captain came to Morgan and brought him a clue.
The captain's action was originally unnecessary, anyone can send clues. The real purpose of the captain's coming is to tell Morgan about the strangeness of the famous lawyer's murder, hoping to arouse his interest and help Pete solve the case.
The scheduling of this scene kept Morgan with his back to the captain. Expressed not interested in what he said (pretend not to be interested, Tsundere.)
This scene is different from the original script. In the original script, Morgan had obtained plastic crumbs long before the lawyer died, and found the words "greedy" on the back of the refrigerator. He had already judged that the criminals were following the "seven deadly sins" to kill.
This scene is a more typical way of writing out of words. Morgan said that this city is full of crimes, and he wants to go to the countryside to plant land and build a house. But both times he was moved by the weirdness of the case and stopped typing twice.
21:42-23:19
Morgan reviewed the fat man's death scene. The source of the plastic crumbs was discovered.
Vinci prefers to shoot refrigerators.
Morgan discovered the word "gluttony", which is also a performance for the actor first, and then what he saw for the actor.
As shown in the book "Research on the System of Criminal Case Site Investigation", the general procedure of the United States' crime scene investigation is.
1. Case acceptance and on-site protection.
2. Preliminary survey and prompt report.
3. Formal survey.
4. Search and extract, keep, and transport criminal traces and physical evidence at the crime scene.
5. Record the process and situation of crime scene investigation.
6. Reconstruction of the crime scene.
7. The crime scene is unblocked.
At the end of the scene, the sound effect of tearing paper was deliberately exaggerated.
23:19-24:25
In the office, Morgan verbally reconstructed the crime scene and discovered that the suspect had committed the crime in accordance with the "seven deadly crimes" and predicted that there would be more crimes. He began to show his outstanding ability.
*Crime scene reconstruction refers to: crime scene investigators, analysis of scene information, interpretation of scene morphology, and physical evidence inspection and identification. And through simple deductive reasoning, inductive reasoning methods to determine the sequence of events.
Vinci likes to sort out the case in the film so that the audience can keep up with the rhythm. And he did not hesitate to show a lot of details in the hands of the detective.
Morgan is still refusing to participate in the detection of the case.
24:26-25:10
Consecutive scenes. Morgan was still thinking about the case, and he took a taxi to the library. He witnessed the chaos on the street and said classic lines. In the last seven shots, the siren sounded again.
25:11—26:43
Morgan came to the library and looked up information about the "seven deadly sins".
The security guards of the library should be very familiar with him, explaining Morgan's knowledge background.
Use active music to elicit the gorgeous "Aria on the G String".
Mozart is in the original script.
The eclectic style library, Bach, green glass table lamp, oak table, hardcover books, all these help to shape the character of Morgan.
26:44-26:54
Parallel montage, similar to the "MV" paragraphs that exist in every movie. Vinci cleverly used active music to overdo it.
Pete's house, Pete is studying the case.
But a bottle of blue-belt beer and crumpled shirt on Pete's desk are completely separate from Morgan's character.
26:55-27:11
Back at the library, Morgan continued to look for clues.
In the last paragraph, he saw "Canterbury Tales" (equivalent to my country's "Sanyan Two Pai"), and in this paragraph he saw "The Divine Comedy".
A horizontally shifted camera took two scenes of Morgan, and then passed through the occlusion to enter the next scene.
27:12-27:17
Pete writes. In fact, this should be an entry point, a close-up shot of Morgan.
Then, cut into a crime scene photo-fat man's tied feet.
In the next game, the first shot was shaking from Morgan's feet.
27:18-27:27
Morgan put the reference book he found on the table. Cut into a close-up of the cover of a book.
27:27-27:33
Cutting in from Pete's close-up eyes, the directionality of this montage is very clear. Just let Pete read these.
Because Morgan already understood the killer's reason for the murder.
There are only three close-ups in this scene, Pete's eyes, crime scene investigation report and crime scene photos.
In line with the cubic theory.
27:34-28:02
Back to the library again, Morgan was taking notes and reading.
Vinci still wants to show the audience the content of the protagonist's reading, a few illustrations. It's all bloody scenes.
Vinci combined bloody crime scene photos, cut-off heads, heart-digging illustrations and "Aria on the G String," which became interesting accordingly.
Through the contents of Morgan's notes, he showed his duplicity.
28:03——28:08
According to an over-interpreted way of understanding, this shot represents that Pete raised his head, as if he had heard Morgan's gospel.
28:09-28:33
Morgan continued to read and copy.
At 28:28 there appeared the words seven children were killed.
28:34-28:40
Pete is already watching the ball. At this time, I cut into a wife of Pete and looked at him through the glass.
Moreover, the front of the lens is blocked by a window frame, which represents a very obvious diaphragm.
28:41-29:11
Back at the library, Morgan copied the parts that he thought were important.
Vinci seems to prefer copiers. "Seven Deadly Sins", "Fight Club" and "The Twelve Houses" have all appeared.
29:12-29:27
Morgan came to the office and put his homework on Pete's desk.
Here is a detail. Pete's desk is a computer, and Morgan's is a typewriter.
29:28-30:26
【Wednesday】
Very unreal light and rain, Pete walked out.
Pete was holding a paperback book, and the steering wheel had not been corrected. The police officer brought him a guide again.
In various details, he is distinguished from Morgan.
30:27——33:12
The turning point of the relationship between the two is coming.
The office has changed to Pete's name, and the two of them huddled together in a small office. Moreover, neither of them mentioned anything about Morgan's search for information. This is a very straight man's way of writing.
The task of the first act is to tie two completely different people together.
The director spent 30 minutes to show the difference between the two men. Here, we must use efficiency to solve the problem.
At this time, Pete's wife called and invited Morgan to have dinner at home.
33:13——37:27
Morgan came to Pete's house. The scene was particularly good when I first walked in.
Trish used a simple introduction to bring the two closer together.
Only then did we know that Lao Wang's name is William and Xiao Zhang's name is David.
The house number of the whole film starts with 7, only his house’s house starts with 5. I don't understand, why is it like this.
This passage puts the deep emotions between Trish and Pete, high school love. This is also paving the way for Pete's collapse later.
There are still two details that can show the problem between the couple. Pete keeps three dogs and is isolated in a room by Trish. It is rare for people to raise three medium-sized dogs in the city. And Trish is disgusted with guns.
35:22 I made a small transition with a close-up of the vinyl record player. Consecutive scenes.
At the dinner table, the conversation enters a private topic. (Trish and Morgan drink wine, Pete drinks beer.)
The relationship began to get closer. But it is very important to put Trixi in the foreground so that the audience can see her sadness more.
37:28——42:09
For the first time, the two detectives discussed the case and exchanged information calmly. It was also the first time that Pete showed his abilities, began to reconstruct the crime scene, and sort out the case for the audience.
At this time, Dante, Chaucer, and Shakespeare all came out.
The two began to reconcile, but they still had their own mouths. Finally found a clue. Photo of the lawyer's wife.
42:10——43:32
The two asked the lawyer's wife. The lawyer's wife found a painting upside down.
43:33——45:34
The two reconsidered the scene where the lawyer was killed. A fingerprint clue was found.
45:09 used special features again, making time transitions, continuous scenes.
45:12 The policeman who took the fingerprints was Morgan's son.
The two talked for a while, the same lines as in "Memories of Murder".
Have you seen this situation before?
45:35——46:11
Close-up transition
This scene in the fingerprint comparison room is the end of the above half scene. Morgan Pitt discusses the case. Pete came to a conclusion easily again.
46:12——47:42
The two waited outside the fingerprint comparison, and finally began to talk about topics that had nothing to do with the case.
Morgan expressed his helpless and hopeless state. He had doubts about Pete's optimism.
He thinks he can do nothing about the evil of people. It's like picking up gems on a deserted island. It can only be useful when you get out of the deserted island.
47:43——47:57
【Thursday】
Pete fell asleep leaning on Morgan's shoulder, basically confirming the relationship between the two of them.
47:58——48:43
The captain ordered the arrest of a drug dealer named Victor.
In scheduling, the two did not follow the large group, but walked behind them. And for the first time the two reached an agreement, Victor was not the one they were looking for.
48:44——49:10
The special police set off a set of actions to set off the atmosphere.
49:11-50:17
The two of them sat in the car and began to talk about topics that had nothing to do with the case.
Pete confided, but seemed to have forgotten again. Does it start to become numb?
I didn't understand the scene.
In the original script, Pete killed a gangster. He thought he would be conscientious, but he didn't expect to go home and sleep like a baby.
Quoting a passage from Hemingway: To live a decent life in a place, you must have the ability to kill, not pretend.
50:18——54:23
To capture Victor, in order to fail later, he spent heavy pen and ink to render the capture process.
For the first time, shoulder anti-photography was used.
Vinci does not reject technique.
The living dead
(The climax of the first act?)
54:24——55:20
Pete's emotions were stimulated, and Morgan tried to calm him down and treat him rationally. This has already begun to pave the way for the end.
54:41 Anonymous appears for the first time, discovering Pete's irritable character.
Obviously, Morgan has been refined into steel, and his indifference is caused by pessimism. He has been looking at Pete calmly.
55:21——56:13
hospital. According to what the doctor said, this man was imprisoned for a year, so he cannot be the one who killed the lawyer.
The two are in trouble again.
56:14——57:27
Morgan's house. The phone rang first, and Trish called Morgan to make an appointment for breakfast. Single lens. BGM is jazz.
57:28——01:01:44
[Friday] Breakfast shop, biscuits with tenderloin.
The beginning of a foreshadowing is that the two have been talking for a long time, to the effect that Trish told Morgan that she was pregnant, but she did not dare to tell Pete because she hated the city, and she was hesitant to keep the child.
This scene is very critical, just in the middle of the film. (The movie is 120 minutes long, and the scene is 60 minutes.) This scene is a scene that reverses the trend of the whole movie.
In the three-act play structure, there are two plot points.
The plot point is at the end of the first act, and the protagonist makes a difficult decision to enter the next act of the story. It is the end of the first act and the beginning of the second act.
The second plot point is at the end of the second act. The protagonist makes a difficult decision and enters the next act of the story. It is the end of the second act and the beginning of the third act.
The middle point is also a popular way in modern dramas. The position is in the middle part of the whole film (the middle of the second act), which plays a huge turning point. Such as "The Lost Lovers" and "Parasites".
This scene
There are 2 functions.
1. Foreshadowing the final case.
2. Explain Morgan's history, full of character dimensions, and perfect Morgan's worldview. Let Morgan not only be a wise detective, but at the same time a person with flaws in his private life. He is dissatisfied with this world, but still has good intentions.
01: 01: 45-01: 04: 04
Morgan and Pete's exploration is in trouble. They want to find clues in the seamless design of the criminals.
At this time, the act of acting requires the fool detective (Pete) to say a nonsense, and the smart detective has to dig out clues from this nonsense.
The mid-focus shift at the end of the scene accelerates the intensity of the drama.
PS: Pete said that Ya has a library card, which does not mean that Ya is Yoda. (Master Yoda, Master Jedi in Star Wars.)
The subtitles did not translate the essence.
This scene is designed in a public office area, and the ceiling and tube lights are deliberately exposed, which makes lighting very difficult. This was not common at the time.
01: 04: 05-01: 04: 19
Based on Pete’s library card reminder, Morgan came up with people who had borrowed books such as Canterbury Tales, Purgatory, and Jack the Ripper.
Following the trajectory of the previous scene, Morgan and Pete went downstairs and moved from the right to the left.
Single scenes, single shots, even regardless of the light, have to accelerate the rhythm of the scene, after all, there are too many lines.
01: 04: 20-01: 04: 33
Morgan and Pete went to the library to print the list.
This is a slow play, regulating the rhythm.
Let the audience have expectations.
01:04:34——01:05:37
At a fast food restaurant, Morgan is looking for an informant (FBI) to buy information.
Increase audience expectations.
01:05:38——01:07:25
At the barbershop, Morgan told Pete that the FBI has a systematic list of poorly compared results.
01:07:26——01:08:01
Inside the car, Morgan and Pete found a name after flipping through the materials.
Jonathan Doe is actually a variant of john doe. In the Anglo-American judicial system, it means anonymity.
The unnamed male corpse, John doe. Unknown female corpse: Jane doe. Unnamed baby: baby doe.
It’s fine if you don’t know the subtitles. If there is a book about this film called John Duy, who plays the role of Kevin, then you can tear up that book. There is no basic training for "CSI".
01: 08: 02-01: 16: 10
Kevin's apartment corridor, Morgan and Pete came to investigate.
According to the structure of ordinary detective dramas, audiences who like to solve crimes according to the progress bar are basically unprepared to solve the crime at this time or see the suspect.
The suspect's shooting was sudden. Reminiscent of "The Wire of Fire", De Niro had a foreboding that there was a policeman. When he didn't see the police at all, he opened fire.
In the film, it seems that this is the second time a handheld camera lens has appeared.
Vinci was not so extreme before, but now "Psycho Hunter" seems to have no handheld camera lens.
The atmosphere of the scene, especially the rain, is impressive.
Since Pete couldn't restrain his hostility and kicked the door open, all this was basically a foregone conclusion.
01: 16: 11-01: 16: 44
Pete bought a man and filed a false certificate to report the crime.
01: 16: 45-01: 24: 06
Pete and Morgan enter the house of the unknown.
The art setting is impeccable. Full and textured.
(01:17:41) There are a total of 4 windows displayed here. The first one is pasta sauce, the second is a few books by lawyers, and the third is Victor’s soaked in formalin. One hand, the fourth one has a picture of a woman.
This is basically a solid situation. The black-clothed man they saw was a serial killer, and he had followed the killer's footsteps.
(01:20:23) They know, that photojournalist is the murderer.
01:24:07——01:25:03
According to the receipt, Pete and Morgan visited the Wild Bill leather shop.
I got a photo of something customized by the murderer, but the photo was never shown to the audience.
It's another anticipated design.
01:25:04——01:26:00
The fourth murder scene, a brothel.
Vinci is very restrained from the use of music, and several pieces of music currently in use are all active music.
The death of Bach, the Sir Peter, and the brothel.
The door of the room is engraved: "Lust". There is also a frightened man.
Color lighting, especially the flashing of the ceiling, is particularly prominent.
01:26:01——01:28:15
In the interrogation room of the police station, Pete and Morgan interrogated the brothel owner and their clients at the same time.
The last music came to an abrupt end.
Only then did the instant photo be shown to the audience, that is, the weapon used to kill the sex worker.
He didn't reveal too much about the case, but with just a few words, the human brain can make up a murderous picture.
This amount of information is well controlled.
A serial case cannot rely on the visual to stimulate the audience every time, especially in the second act. There should be a change.
The last panning camera silenced the two of them.
01:28:16——01:31:29
At the bar, Pete and Morgan's soul talk. This scene is not a dramatic role, but a theme role.
The last scene brought them a shock of soul.
But the scene was not good, it was very abrupt.
Compared to a scene at 46:12—47:42 Fingerprint Outdoors, the choice of scenes is too random.
The choice of scene is important to a scene. The scene itself is attitude and standpoint.
01:31:30——01:33:04
The sex scenes of the two families accumulate strength.
The love of Pete's house, the ticking of Morgan's metronome.
01:33:05——01:33:15
Subtitles: Sunday
During the cutscene, the 911 call center received a call from Kevin Spacey. He killed another person.
01:33:16——01:33:58
The fifth crime scene. The lens was pulled away from a trace inspector.
Follow Morgan's footsteps into the scene of the crime.
We saw the word "proud" written in blood.
This scene was handled concisely. Quickly pointed out the cause of death and the information the offender wanted to convey to the police.
There are no close-ups of parts of the corpse, only Pete's reaction and forensic lines to complete the whole information.
Now Morgan and Pete have basically mastered the murderer's criminal motives and criminal methods, so he can omit the reconstruction of the crime scene later.
01:33:59—— 01:34:35
Outside the police station, the sun was shining brightly.
The car passed by, the foreground obscured the opening, Xiaoquan, Pete Morgan got out of the car. Pass another car and slice it into a big panorama.
When I saw this lens just now, everyone would not understand, why use this lens to shoot with a wide angle, and I can't see the protagonist at all.
And the prospects are constantly passing by cars. In fact, the movie-watching experience reminds us that something is about to happen.
Sure enough, Kevin got out of the taxi and turned his back to the camera in order to maintain a sense of mystery.
When Kevin got out of the car, the sound effect was the sound of helicopter propellers.
01:34:36——01:35:35
Side heel of the machine, wide-angle panoramic view, cut into the middle shot after being blocked by the pillars. The method of camera switching is the same as the previous one.
The machine entered the police hall with Kevin on his back, with blood stains on his body.
Kevin called Pete loudly, after two reaction shots, cut to Kevin Spacey for the middle shot. There are blood stains all over the body.
This breaks through the logic of life.
There are several arrested scenes in film history that are particularly fresh in the memory. In "American X-Files," Edward Norton was arrested with a sly smile on his face.
And this is the arrest of Kevin Spacey.
01:35:36——01:36:46
Outside the one-way glass window of the interrogation room, several police officers were discussing. Kevin talked with the lawyer elegantly.
The voice-over of the captain in the opening scene clearly shows that this "anonymous" is like a person who has never existed before.
No fingerprints, no work history, no credit history.
Morgan and Pete have nothing to do with this man.
01:36:47——01:39:03
Kevin's lawyer made a condition to the prosecutor and the police to take Morgan and Pitt to find the body.
01:39:04——01:40:53
Morgan and Pete were about to set off, shaved their chest hair and attached a bug. (The Chinese police do not have this design.)
Morgan is still reminding Pete not to get excited. The two people met frankly at this time, still joking, and the relationship between the two was completely harmonious.
This is the last rise before the big fall.
The soundtrack (passive music) sounded for the first time in the whole film, but it was not a passionate music, but a gloomy tone.
This is a scene shared by many scenes.
For example: soldiers wipe their guns before going out. For example: before the boxer goes out, tie a bandage.
This is an emotional drama, and the use of music is to set off emotions.
Peter hesitated and stopped, what did he want to say?
01:40:54——01:41:56
In a set of MV, Pete and Morgan quietly transported Anonymous out of the police station.
01:41:57——01:50:19
In the car going to find the corpse, the highlight began.
Morgan and Pete asked about the origin of Anonymous and the reason for the crime.
At first, it seemed that Morgan wanted to "induce a confession", and Pete was "humiliating" the unknown.
Later it became a sermon, or lecture, by Kevin Spacey.
And Kevin kept hinting that Pete was going to make a big mistake.
01:50:19——02:00:56
In the location, several people arrived at the burial site.
The second paragraph uses a lot of handheld lenses.
After Pete's collapse, the shots were all shoulder-to-shoulder shots, and both Kevin and Morgan were fixed shots.
02: 00: 57——
Pete was arrested, and Morgan and Captain looked lonely.
Morgan's attitude suddenly changed. He who was supposed to leave, now changed his words and said that he would not leave.
Ernest Hemingway's famous saying: The world is beautiful and it is worth fighting for.
fighting
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