Great script, cow! Must-have movies

Vivienne 2022-03-20 09:01:02

In the second half of the whole process, he held his breath and watched, and he was so excited that he could only shout awesome. Calm down and find that there are many parts that can be interpreted. This film is too worth watching repeatedly.

Imagine if only a man spied on the killing process, called the police, arrested the prisoner, and ended, it would seem too mediocre. How to make the most of this story in a limited scene is the wonderful thing about this script.

Broken leg means being unable to walk around. After several weeks of recuperation, every day after reading and reading newspapers and sleeping outside, I can only look out the window boredly. A reasonable motive for voyeurism appears.

Girlfriend, can be said to be the finishing touch of the script, because of the great difference in the work environment, the two are on the edge of emotional breakdown, and the contradiction is there, which can attract the audience to stay in the first half of the slightly boring plot. Of course what attracts me is the beauty of the heroine (isn’t it?)

A phone, an old friend, connects the world apart from these windows, expanding the scene we can imagine, and the role of an old friend has repeatedly tempted us to think in the wrong direction and add contradictions again. Point to attract the audience to look down.

The most amazing thing is that Hitchcock only used a neighbor's window and a street corner to enrich the script to the greatest extent. It seems to be the ordinary life of firewood, rice, oil, salt, sauce and vinegar tea, but it also hides murderous intent. Even at the end, each window was arranged with the best ending, and the dancers also satirized a set of solidified values ​​by the way, which made people stunned again.

In the process of solving the case with the male protagonist, the female protagonist bravely did many things in order to change her impression of the male protagonist. She wanted to prove that she is also a person who can "explore in the jungle in high heels", although she is very adventurous. But he did show his other side to the male protagonist and successfully kept his love.

Peeping, it satisfies the curiosity and desire in human nature, but it has always been criticized by morals. The male protagonist has also reflected on whether his peeping is correct and whether it violates the privacy of others in the film. I also think about this issue while watching it. But the words of the dog owner woke up the male lead, which woke me up. Sometimes, for justice, we must do something that violates morals. As long as the justice we can achieve is large enough, the moral violations will be understood.

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Extended Reading

Rear Window quotes

  • L.B. Jefferies: I've seen bickering and family quarrels and mysterious trips at night, and knives and saws and ropes, and now since last evening, not a sign of the wife. How do you explain that?

    Lisa Fremont: Maybe she died.

    L.B. Jefferies: Where's the doctor? Where's the undertaker?

  • [Jeff dials the number for Thorwald's phone. Thorwald is seen from a distance walking over to the phone and standing by it]

    L.B. Jefferies: [quietly to himself] Come on, Thorwald, answer it. Come on, you're curious. You wonder if it's your girlfriend calling. The one you killed for. Go on, pick it up!

    [Thorwald is seen picking up the phone]

    Lars Thorwald: [voice] Hello?

    L.B. Jefferies: Did you get my note? Well, did you get it Thorwald?

    Lars Thorwald: [voice] Who are you?

    L.B. Jefferies: I'll give you a chance to find out. Meet me in the bar at the Albert Hotel. Do it right away.

    Lars Thorwald: [voice] Why should I?

    L.B. Jefferies: A little business meeting... to settle the estate of your late wife.

    Lars Thorwald: [voice] I... I don't know what you mean.

    L.B. Jefferies: Come on, quit stalling or I'll hang up and call the police. Would you like that?

    Lars Thorwald: [voice] I only have 100 dollars or so.

    L.B. Jefferies: That's a start. I'm at the Albert now. I'll be looking for you.

    [Jeff hangs up]