Mendes on Schofield & Blake:
Even if the two characters stayed in the same bar, they would never know each other-Blake would drink beer with his friends, yell and discuss girls, Schofield would read by the fire, holding them in his hand. With a glass of red wine, his dog is lying under his feet...xswl is too graphic.
Regarding the setting of a mirror to the end:
Mendes took the two protagonists and strolled in a large open space, rehearsing the scenes in the trenches-especially the walking position-and then holding a small flag, when you see a suitable position, you can put a flag in it. The last trench is a photo. Dug in the shape of a flag.
As for the indoor scenes such as the small country house, at the beginning, a one-to-one model was built with cardboard. Rehearsing in this paper house, you can move the cardboard to adjust where it is not suitable.
Ecoust in the night fire is the last scene of the film, on the day of the summer solstice. In addition, the various scenes of the film are almost completely shot in narrative order.
Mackay explained why he was particularly able to identify with the role of Schofield. Even in the first audition, there was no plot context at all except for the two scenes to be read, but he felt like he knew Schofield before—all this is to blame. Justin Kurzel...
During the filming of "The Real History of the Kelly Gang" directed by Kuzel, he was trapped in Australia for nearly half a year, forcing himself to change from an English person to an Australian bandit with a problematic brain every day. The role of Ned Kelly can be seen from the film. In terms of how emotionally taxing it is, as for the physical aspect, although there seems to be no major problem except for low body fat in the film, I have seen two activities videos of Where Hands Touch before shooting Kelly’s promotion at the same time. It’s true in real life. He was so thin that he couldn't hold on, so that he couldn't imagine going home, because he felt that once he slackened and began to imagine back to himself, he would no longer be able to continue to be Ned Kelly. This is exactly how Schofield was so resistant to mentioning his family under Blake's inquiries.
Xswl today:
Before the first filming of the end of the film, before running across the line of fire, Mendes said to McKay, [You run slowly, the camera may not be able to keep up with you]; After shooting, it turns out that McKay can’t keep up with the camera...
Because that distance is only about 300 meters, but it takes 5 hours to arrange each take scene such as bombing. McKay practiced sprinting every day for that scene (.)
After cutting, I suddenly felt that Schofield was very su, and the character of McKay was really good.
The first time I saw it, I thought that Blake of Toman the Great was the protagonist. On the contrary, he was silly. With a face on the road, he would always receive a bento. As a result, Blake died without warning. He went on the road alone, still silly. I didn't taste his goodness until I met the French lady. Later, he encountered German soldiers who just covered the opponent's mouth with his hands and did not kill him. However, he was placed by the German soldiers, which highlighted his super invincible softness and kindness-completely contrasted with the appearance of the stupid big man.
It's really up. So I decided to watch "1917" again for him.
The speech was extremely gentle-at the beginning, the two chatted when they were notified that the admiral left camp, they comforted Blake and said that they could eat well at the weekend. After receiving the task, Blake red eyes and rushed forward, bumping all the way. He helped to pick up the things he smashed. He apologized for Blake for the people he smashed. In the end, he ran into the wounded Blake and was grabbed by the wounded companions. He spoke clearly and decisively that Blake had a military order. "Step aside".
He is also strong in business ability—it’s nothing to say that surviving the Battle of the Somme is nothing. There is always a component of luck in surviving this kind of thing; but after receiving the task, it can be observed that he knows what questions to ask and is familiar with many considerations. After the proposal, Blake was stunned for a few times and didn't care. Before they set off from the trenches, they stopped Blake from taking risks by himself, "Age before beauty"-why is he so good! Not to mention that when he passed the barbed wire fence later, he pulled away the obstacles and injured his hands. In the corpse pit, it was also because Blake's hands and feet were frightened that caused his wounds to come into contact with the decomposed corpses with rats as nests. However, he did not complain at all! Still super good to Blake! On the surface, he was calm, and he took care of all kinds of care. What kind of fairy teammate was this.
Mackay’s acting skills are also natural-when he crossed the puddle, Blake couldn’t climb uphill behind him, so he called out. He changed his hand and held the gun in the injured hand, using his uninjured hand. Go pull Blake. After sending Blake up, he changed his hands naturally, and the injured hand was still extremely stiff-a natural reaction when a person had a wound-as if climbing a hill would not dare to use too much force when it needed to support the ground.
What's even better is that this person is not serious and old-fashioned. Although his words are concise, he is dry humor. "Wrong hand." and "You cannot be that hungry." I really watched it again and laughed again. Except for Mo Niang's lieutenant's sentence, which is a glimpse of Geng Jinghong, his lines are the funniest.
Regarding his tin box-escaping from the collapsed German trenches of the explosion, the first thing he did was to wash his eyes, and the second thing was to take out the small box to see if it was intact. There is a thick pile of things inside, as many netizens have said, there must be more than one comrade-in-arms token. So keen on picking up corpses, no, so cherishing the trust of his comrades and not wanting to betray the dead, it is not unreasonable and righteous-even in the German dormitory seeing pictures of family members that the Germans did not take away, he has to hesitate for a second, it is true It is sensitive and delicate.
Almost buried is also part of Blake's reason-he has to stop, sit on the German bed and search for German food. Of course, Blake is an innocent, courageous, upright and passionate boy. The collapse has collapsed and he still insists on digging out Schofield from the gravel pile. He also encourages him to follow his own escape. Although he may be able to pit his teammates a little bit. Pay off the work. And Schofield went through such a dangerous situation, thanks to Blake, he only complained a little after he came out-my goodness can see this kind of forbearing and gentle character with his personality, it is not easy to be good-and then again I jokingly said that you have the medal for Blake, and even the slogan for the award was thought of for him, "Corporate Blake rescued the comrade from his nine deaths and showed extraordinary courage"... Uu is so cute.
When I saw it the first time, who would have thought that although this person looks stupid and looks like an NPC, he is actually bold and cautious and doesn't say a lot of ruthless people. He is actually very humorous, and is really worthy of the game's protagonist's setting.
Blake is also very good. There is an orchard at home and he knows so many kinds of sakura, and he can recognize it just by looking at the petals. Before joining the army, it seemed that he was going to be a priest—how can there be such a silly little and cute priest. Schofield is also a person who knows the taste of life very well. He would regret seeing the cherry blossom trees cut by the German army, so he was so nervous that he didn't care about the jokes of his comrades who lacked an ear and asked Blake for a long time about cherry blossoms. matter.
Seeing the Anglo-German air battle in the abandoned farm, Blake couldn't understand anything on the ground, and Schofield explained to him which side had the advantage. Seeing the enemy plane crashed from a distance, his first reaction was to move forward-would it be that he wanted to make a shot in the past? Unexpectedly, he fell in front of them and caught fire. Blake went to save people without saying a word. It seemed that Cutie was indeed suitable for being a priest. Both enemy and me would show humanitarian care. Schofield was obviously hesitant. After the German pilot was rescued, his response was that he should be shot on the spot to "end this person's pain", but Blake was extremely determined to feed water to save people.
After realizing that Blake was stabbed by a German pilot, Schofield fired two shots. The first shot hit the pilot's helmet and broke apart. Does the director want to use this rationalization to allow Schofield to be shot in the face of the Germans but had a helmet to block his undead luck?
After Blake was hit by the knife, Schofield coaxed him to stand up and go to the first aid station. Blake couldn't stand up. Schofield said I'll carry you... But Blake didn't even have the strength to lie on his back and couldn't hold him. Get up-what feed did Toman the Great ate in the past two years! Blake realized that he was dying, and took out a small cloth bag with pictures of his loved ones inside. The blood had soaked a corner of the cloth bag and the pictures were soaked in it-from this I thought of Schofield's tin box. I have witnessed a situation similar to Blake, and only prepared a waterproof material.
I watched it again and found that Schofield promised that Blake would find the second camp and rescue his elder brother. Especially when Blake said that it was dark when you got to Ecoust Town, he replied, "That won 't bother me."-every sentence is a firm comfort, let him rest assured. Just a few seconds after I found out that Blake was dead, McKay’s micro expression, ah, ah, ah, please let our country have such a young actor too!
(Afterwards, the soldiers in the truck tent happily talked about Schofield's uncomfortable, stunned, and repressed paragraph that he couldn't lose his way. Needless to say, he showed all the helplessness and all the absurdities. I simply don't know what year it is today. Finding reality, trying to concentrate on the task, doesn’t hurt anyone who looks at it.)
After being chased by German soldiers in the burning church square of the ruined town and fled to the basement of the house, through the fire outside the wooden fence, it can be seen that the back of Schofield's head is full of blood-liquid is reflective-for the French small behind His sister paved the way for him to stop the bleeding. This film is really terrifying. What a torture to the actors. Just being frightened by the gunshots can be more than x10 times. The ground covered with all kinds of gravel steel bars will also be forced to fall on it-these sufferings. If it is an ordinary action movie, you will eat it if you eat it. However, the hardship here is not conducive to being handsome at all, and it is too costly.
Speaking of the French lady, the first time I watched this scene, I suddenly got McKay’s Sue point-he seemed to be real! good! pain! what! The dim light is only enough to outline the facial contours and hide all the facial features of this race in the melting shadows. It is really pleasing to the eye. The broken line of the beautiful nose adds a sense of fragility. When you close your eyes, the eyeballs roll under your eyelids. They all revealed a painful word, not to mention that this person even gasps is very nice (what).
After stopping the attack, I started looking for Blake's brother, who was exhausted but still eager to survive to the end. The crazy eyes that looked like a strange world around me were like me who had finished running. Schofield seemed to have been sleepwalking before falling into the river for a while. He was methodical and conscientious, mediocre and ordinary, his eyes were not very turbulent, and his IQ was not high. However, after the flood, he seemed to have a high fever and his eyes were empty and bright. It was scorching bright—mostly due to the white trenches being so beautifully repaired that it seemed illusory and not true—there was a kind of sober abnormality that detached itself from its own neurotic temperament. I am overjoyed.
In addition, the side face is good-looking—all the time reminds me of the master of the last scene of "Desperate Driving"; the voice is good—gentle and solemn, the temperament of a scholar; the back is so wide—the developed back that can't be covered by the ragged military uniform Muscle; eyes are blue-an important source of crazy eyes in the later stage. Ah, I'm on it. I beg this brother to take more good movies and give me a reason to watch him.
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