I was naive before that. Martin should be a guy who blooms warmth in violence. I can't think that his bones are full of blood when he was young. There is no reason for his violence. It just depends on you or unhappy, but the result is not a beating. You can directly move the knife and move the gun. The unlucky person has not survived. also not eligible to count on sympathy I experienced the aesthetics of violence, the result of wind and rain eating dinner watching the film and then eating dinner watching the "120 days of Sodom" is also the fate of the former is the latter is disgusting consternation
about What a friend said was nothing more than a few simple relationships. These seemingly affectionate Brooklyn neighborhood mafia did not conflict with my interests. You are my brother. I played with other women outside. I will help you get home. My wife and brother are killed, I will cry, but I can only betray you. The result is a catastrophe. I flies at any time. There is no such thing as a brother. At most, it is just a happy pastime. A few glasses of whiskey. When someone like Jimmy meets a brother who gets a share of the pie, they will kill each other, but Tommy kills many brothers and is killed by other brothers. The Mafia not only won't tell you before killing you, but also greet you with a warm face. This is the so-called In the end, I still don’t understand the mystery of the GUCCI that Jimmy asked Henry’s wife to take, but the ending tells me it’s just a kind of brotherhood and seeking self-preservation. Another translation of this film is very interesting- "There is a way to steal." The irony is that the ultimate betrayal of morality is not the threat of eating and shooting, but the fear of good brothers.
The soundtrack that Martin chose for the movie is one of my favorites. I believe that his love for music drives the pictures and melodies like flowing water. He knows how to make people dizzy and obsessed. Then I believe that the movie is a drug of drugs.
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