The green lane in the title refers to the one-mile-long green space in Lengshan Prison. People call it the green lane, which connects the noise during the lifetime and the silence behind them. At the end of the green lane is the electric chair. between. The prison guards who kept wandering this mile were the prison guards, and the prisoners who were temporarily inhabited were the executed prisoners waiting to set foot on the green lane. Luli inevitably became a microcosm of the world of injustice. Among law enforcement officers, some of them came in by going through the back door, suffering from serious psychological perversions, and taking pleasure in the abuse of prisoners. Kaffee, the miracle of God, was in chains and jailed.
The best performer is undoubtedly Hanks. Paul's perseverance, courage, silence, and kindness are all in Hanks's eyes. Caffee finally sat on the execution chair, and the victim's family screamed and yelled unknowingly. The young prison guard couldn't control his tears, but Paul remained expressionless, only to see him from his slightly trembling facial muscles. A huge emotional impact inside. Amidst the spectacular sparks splashing after the electrification, Coffey walked to heaven, and Paul also applied to be transferred from the Green Lane. It's just that he obtained Koffey's magical energy. When his relatives left one by one, he was still alive and healthy, and the confession spread over time and was inexhaustible.
The most symbolic thing is Kaffee, tall and scary, and black again. He is simply a murderer who can be seen at a glance. But in fact, he is peaceful and kind, and the most amazing thing is his ability to bring the dead back to life. He cured Paul and Melinda’s illness, rescued the trampled mouse, made the arrogant Percy go crazy, shot and killed the serial killer William, and then became completely mentally ill and was admitted to a mental hospital. It is simply the incarnation of Jesus, empathizing with the suffering of the world and the super energy of healing others. And being scolded by ignorant people on the electric chair is like being scolded by soldiers and crucified by Jehovah. It's just that Kefei is kind and weak, afraid of the dark and loves to cry, unable to bear the sins of mankind, and doesn't want to see the suffering of the world every day. The forerunner's loneliness, the pain and sadness of the world, made him choose to sit in the electric chair.
In the last nagging sentence, Hanks played very well in it. . . . .
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