At first, I would be very uncomfortable with the colors inside. The classic yellow and black of the blockbuster. The ink is heavy, like an old oil painting. The blood is like flowing colors, and the director is not stingy. The lens is often fast and slow, and it is very rhythmic. After reading it, I think this film is a very aesthetically significant film, and it is an extremely precious work of art. The things discussed in the movie itself seem to no longer exist in the big scene. Watching, you will study the next little details.
The warriors are not afraid of the cold, they wear so little. According to other people's concepts, it is almost equivalent to not wearing it. But in this way, the figure becomes a work of art. Due to the age, it is easy to remind people of the statues that still exist in Athens, Greece, the distribution of muscles and the coordination of the human body. Sometimes I feel as if David is fighting with an iron gun and shield, and as if he is an active fighter in the Olympic arena. I have to say that the nakedness and worship of the body in the West is actually noble and beautiful. The movie is good at describing the body, rough feeling and delicate description are intertwined. In any case, you never think of pornography. Even the most erotic sex scenes have become montage-style interceptions, giving people even more memorable space and room for imagination. During the divination period, the wizard painted the woman's body to the point of perfection, like a dance but not a dance.
What impressed me most was the first battle with the Persian army, which was also the first war scene in the movie. The king said that they are a collective fighting group. In addition to fighting on their own, everyone has to protect their brothers and family next to them. So he rejected the deformed Spartan, and this man rebelled because of this. Their formations and fighting methods are restrained and restrained. What you see is a sophisticated unit with uniform movements and sonorous resistance. This is a beauty of strength.
The big scene reminded me of the Lord of the Rings. Humans are like a killing machine. Faced with an overwhelmingly imaginative enemy, all that is left is mechanical actions. Fortunately, in order to keep us from getting tired, the director changed all kinds of killing methods, and adjusted the shots from time to time fast and sometimes slow, sometimes overlooking from a high place, sometimes tracking from behind. The perspectives are diverse and very exciting.
What made me think about it was the parliamentary meeting at the end of the film. Finally, I felt emotionally the scenes of participating in politics in the era of Plato and Socrates. Any war movie will inevitably involve the contrast between the front and the rear of the war. The fighting in the front is fierce, and the political struggle in the rear is fierce. The conflict between this continued and is still visible today.
If it's just for leisure, just take a look. If you don't want to be so easy, just take a look!
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