Spider-Man III-the endless complex of American urban heroes

Nicolas 2022-03-19 09:01:02

I just watched the sequel of this classic drama that everyone has been waiting for.
Spiderman has not escaped from the transformation of justice, the rescuers of American urban disasters and emergencies. Still awe-inspiring, calling to and fro, holding the key to the city of New York, shuttled between the skyscrapers of the city.

American-style preaching is still interspersed in the film, such as the monologue of the old woman who has recently lost his spouse, to defuse the spread of hatred, such as the need to overcome the superpower of self, such as telling the story of her passing away husband, "Child, put down the gun, go home". All this seems to have become a main thread of such Hollywood movies.
If the movie is just like this, of course it is not enough to attract the audience. Love has always plagued the more life-like Spider-Man, and he has repeatedly carried out adventurous rescue activities for his girlfriend. There are losses and gains. On the one hand, the traditional heroes who appear in the public and wear red spider clothes, on the other hand, they take off their uniforms and live like mortals, love, suffer from gains and losses, and struggle with distress; it proves that urban heroes also lead mortal lives, thus pulling Nearly the height of the hero that people traditionally admire, and the emptiness of superpowers.

Have you ever seen Spider-Man in black? Let the audience know this time, Spider-Man's outfit is not a red man-clothed, flying around; similarly, he will also be tired of the confusion caused by such heroism. When he put on the black clothes of special parasites falling from the outer celestial bodies, he became extremely powerful, with stronger superpowers-this is the black clothes that was swayed by the evil forces. The revenge action gave him a black incarnation. At this moment, he wanted to pour out the unfair treatment and grievances in his life. Who knows that he is not careful, the power attached to his rival in love gave him the opportunity to act as the incarnation of the city's hero and justice again. In the scene of his girlfriend's crane building, the rescue operation began. The story is reached, and the director anticipates the climax before the end.

In this way, Spider-Man once again went into battle in red, fighting alone with the sand monsters, and duel with the black forces (a former friend, now a rival in love), and finally was no match for his opponent. "Everyone needs help, so does Spider-Man", which verifies the sentence of Spider-Man's classmate (also the daughter of the police station, and his admirer and suitor) in life. With the help of another partner with superpowers, fight side by side to deal with the evil black clothes and the giant sand monsters. In front of the huge giant sand monster, they looked very small. In order to obtain his life, Spider-Man had a brainstorm and threw the helper's power source on the sand monsters using the fire-breathing flywheel skateboard. Unexpectedly, his companions were close to killing the monsters, and they were instantly buried in the flames and turned to ashes. The black suit happened to be trapped by Spider-Man using the technique of cracking, trapped by the iron needle, sucked out the evil black matter, and killed him on the street. The 2 vs. 2 battle is over, and this immortal hero is the only one who survives and triumphs alone.

The last shot is still old-fashioned.
The father who lost his comrade-in-arms, once best friend, begging for his daughter, a hero or survivor in ragged clothes, but sitting on his girlfriend, looks pale and feeble.

If you are used to watching American movies, according to this program, you can go to Hollywood someday and ask to direct the script.

Original Source: Coffee のBar
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Extended Reading

Spider-Man 3 quotes

  • Gwen Stacy: I mean who gets kissed by Spider-Man, right?

    Mary Jane Watson: I can't imagine.

  • Spider-Man: It's time to pay, Marko!