My favorite

Palma 2022-03-18 09:01:01

This is a film set in voyeurism and murder. The plot of the story is actually very simple. The protagonist Jeffrey used a telescope to see some fragments that he thought might be murder in front of the window, and then launched an investigation together with the heroine Lisa and others, and finally found out the truth of the murder.
The thing that fascinates me most in the film: First of all, it implies people's desire for voyeurism; don't think of it as nasty, in fact, no matter where it is, people will always be in a state of spying and being spied on. Who doesn't have a window in the house?
The second is the rhythm of the film, or it can be called the "Hitchcock rhythm"-rush and slow. When you are nervous, you are like Jeffery sitting by the window sill, watching Lisa commit a risk but can't do anything. Relax, like the hero and heroine, sitting comfortably in front of the windowsill, reading magazines, drinking tea, and looking at people outside the window with binoculars.
Each of us is like living in a house. There are windows in the house. You will look out from time to time, and sometimes people outside will come in and look at you.
Always remember that when watching this movie, you must not be afraid, otherwise you will be following Hitchcock's way.

Hitchcock is a magical director. I read some books about him and his movies when I was in middle school, and I was fascinated by it. He is called the "Master of Suspense", but I think the suspense he created is not the real charm of his movies. Their essence should be his interpretation of the dark side of human nature.

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Extended Reading
  • Julie 2021-10-20 18:59:53

    I sit in the back window and watch the "movie", and the movie-goers watch me in the "rear window".

  • Guido 2022-03-26 09:01:01

    My eyes are always on Grace Kelly's beautiful face and all kinds of beautiful dresses. . That tulle nightdress is simply beautiful on her! The plot feels general, and some people compare it to entering the room. Although the age difference is too long, it must have its own characteristics, but obviously I like it better.

Rear Window quotes

  • L.B. Jefferies: I've seen bickering and family quarrels and mysterious trips at night, and knives and saws and ropes, and now since last evening, not a sign of the wife. How do you explain that?

    Lisa Fremont: Maybe she died.

    L.B. Jefferies: Where's the doctor? Where's the undertaker?

  • [Jeff dials the number for Thorwald's phone. Thorwald is seen from a distance walking over to the phone and standing by it]

    L.B. Jefferies: [quietly to himself] Come on, Thorwald, answer it. Come on, you're curious. You wonder if it's your girlfriend calling. The one you killed for. Go on, pick it up!

    [Thorwald is seen picking up the phone]

    Lars Thorwald: [voice] Hello?

    L.B. Jefferies: Did you get my note? Well, did you get it Thorwald?

    Lars Thorwald: [voice] Who are you?

    L.B. Jefferies: I'll give you a chance to find out. Meet me in the bar at the Albert Hotel. Do it right away.

    Lars Thorwald: [voice] Why should I?

    L.B. Jefferies: A little business meeting... to settle the estate of your late wife.

    Lars Thorwald: [voice] I... I don't know what you mean.

    L.B. Jefferies: Come on, quit stalling or I'll hang up and call the police. Would you like that?

    Lars Thorwald: [voice] I only have 100 dollars or so.

    L.B. Jefferies: That's a start. I'm at the Albert now. I'll be looking for you.

    [Jeff hangs up]