The charm of both righteous and evil

Keshaun 2022-03-23 09:01:03

This film leads to the intersection of the heroine Clarice and Hannibal through a series of vicious murders. However, it is ridiculous that to solve this series of murders, it is necessary to pass a mentally problematic psychiatrist with more terrible crimes. Isn’t it ironic? And the film’s narration and the use of the lens are really pleasing to the eye. The use of the long lens makes the whole movie a sense of fear and mystery.

Paige 2022-03-23 09:01:03

[A] How to control the power of "close-up"? Every meeting between Clarice and Hannibal is accompanied by a large number of graceful close-up shots, repulsive, temptation, identification, and even true heart-to-heart. The close-up shots exist as a perfect transition medium. Especially in the last meeting at the museum, the camera was isolated from the inside and outside of the cage, and then gradually passed through the cage, stuck in the surging emotional communication between the two, and finally stayed on the close-up of physical contact, and the paragraph was sublimated in the temporary stay. Close-ups are not only a means of enhancing the performance of the lens, but also a representative of the line of sight: there are many shots of Clarice surrounded by the "male perspective" in the film, and Clarice as an individual is weak in the encirclement of male groups; In the dialogue with Hannibal, the feature exists as a symbol of equality, constructing a peer-to-peer line of sight communication system. Hannibal's close-ups are undoubtedly more tense and always dominate. Under the superb performance, the devil gave instructions to the Lamb to stop being silent and guide him to break the barrier of male gaze.