I watched it with my dad when I was young, and recently I watched it again with Boss Yao and his classmates. I didn't realize that I had seen it before until Yuan climbed out of the safe. The film is super style. The director perfectly blends casino and jazz together. The music is also superb. Although sometimes it makes people play, it also achieves a humorous effect.
As a senior suspense fan with face blindness, I feel very painful watching this movie? The plot of the movie is not problematic, and the motives and criminal methods are very cleverly designed. The main line of the crime is that the two masterminds are good brothers? They partnered to defraud, and finally wanted to make a big ticket, so they went to rob a cruel and intelligent person's vault (that person also left the mastermind's ex-wife, which is why there is love Line reason). I don’t know anything about 15 minutes before the movie. It’s not boss Yao who explained. I don’t even know that Reds is a Shunzi, let alone that the protagonist is a scam master. There are many people in the film, and the director succeeded in interspersing romantic and love lines on the basis of black humor and crime. But the most incomprehensible thing is that the film forcibly joins the growth line. (The little tram pickpocket whose parents are both successful criminals successfully grows into the Jiangyang thieves who won the treasury?)
This film can be regarded as a classic of comedy crime, and it is inevitable that it can not stand the memory of time. If the director can abandon something, it would be nice not to try to show everyone's background.
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