Very beautiful.

Carli 2022-03-17 09:01:02

Very beautiful.
Compared with the plot, the filming technique of the movie attracts me more. Although it is a movie, it always makes people feel that they are turning over a fascinating comic, which perfectly shows the layout and style of the original comic; although it is a black and white film, it is completely different from black and white in the general sense. I have been wondering how the director did it. Lights. The color light black and white photography that needs to be converted occasionally due to the plot is the finishing touch. The film selects three original stories: "sin city", "The Big Fat Kill" and "The Yellow Bastard". In the second paragraph, there is a shadow of killing Bill. As for the "exaggerated violent plot", it is not a problem for me, who often eat with CSI. There is Bruce Willis in it. If you don't know him yet, hurry up and see THE SIX SENSE and DIE HARD123. Sin city also has 2 and 3, I don't know where to buy the disc.
The director of the film:
Frank Miller
Robert Rodriguez Robert Rodriguez: "From Dusk to Dawn", "Mexico", "Trilogy of Murders"
Quentin Tarantino (special guest director), charged $ 1 as a reward , Directed a shot for Robert. I really want to know which lens it is.

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Extended Reading
  • Kiarra 2022-03-22 09:01:10

    Frank Miller (Frank Miller) comic adaptation

  • Haylie 2022-04-24 07:01:02

    Romance to extreme violence.

Sin City quotes

  • [Hartigan is on his way to go save a girl from a rapist]

    Bob: I'm gonna get on the horn and wait for back-up. We're gonna wait for back-up!

    John Hartigan: Sure, Bob. You'll call for back-up. And we'll sit on our hands while that Roark brat gets his sick thrills from victim number four. Victim number four! Nancy Callahan. Age 11. She'll be raped and slashed to ribbons. And that back-up we're waiting on will just happen to show up late enough to let Roark get back home to his U.S. Senator daddy and everything will be fine until Junior gets the itch again.

    Bob: Take a deep breath, Hartigan. Settle down and think straight. You're pushing 60. You've got a bum ticker. You're not saving anybody.

    John Hartigan: You've got a great attitude, Bob. You're a great cop. A real credit to the force, you are.

    Bob: Eileen's home waiting for you. Think about Eileen.

    John Hartigan: Heck, Bob. Maybe you're right.

    Bob: I'm glad to hear you're finally talking sense!

    [Hartigan punches Bob in the face]

    John Hartigan: [narrating] Hell of a way to end a partnership. Hell of a way to start my retirement.

  • Cop: Sir! There's no sign of the target.

    Marv: Here's a sign.

    [comes up behind cop and swings hatchet into the cop's crotch]