Although Skyfall is a dazzling movie of "Four Men Changed Half a Dozen CP", after rewatching a few times, I will always like the young and arrogant Abang in the Royal Casino the most. He hadn't learned how to be happy, angry, and invisible, and the corners of his eyebrows and eyes were full of unconcealed smiles; at that time he had not been forced to learn to lose, although every day was spent waiting to be spent, he still loved life; that At that time, he was like every ordinary person, courageous to trust and eager to be loved-he gave everything when he loved, and was heartbroken when he lost. DC's 007 always seems to be inextricably linked to the word "pain". No matter where it is, the brows are deep furrowed, as if blood is bitter; those cold and frosty blue eyes that are habitually silent are the only ones that boil with emotions. At that time, it is undoubtedly revealing deep pain. When revisiting the Casino Royale, there is always a scene that is unforgettable for a long time: in the collapsed building in Venice, after Vesper said "I'm sorry, James", the agent glanced at her through the cage fence. ——The look full of that eye, the real lively interpretation of what is called shock and pain, the intense hatred and love, just like this.
Casino Royale has long established his character background. He is quite proud and self-esteem, because he understands that he has outstanding abilities and was entrusted with important tasks as soon as he was promoted. Obviously, even if he had been in obscurity before, he was more accustomed to success and was not quite comfortable with the taste of failure—seeing his grumble reaction when he lost the bet. After he was poisoned and escaped, he pulled out the pipe needle and sucked on the wound on his wrist and rushed back to the gaming table. Maybe he still hasn't learned and is not ready to accept being defeated. He has an innate goodness and persistence in justice: on the hotel balcony he shouted at Vesper, "Why don't you just say that thousands of innocent people are going to die, this kind of sorry?" He also absolutely Not enjoying the process of killing: The script states that he stared at the dead informant and hated him so much that he felt that he had taken a life ("hating him for making this feel so much like killing"), When he stared at the mirror in the bathroom of the hotel room, he also mentioned the sentence "Only now we could see he's having a hard time with the killings.") However, when he was so tormented, when asked by Vesper, It would only be an understatement to say that if I really find it difficult to handle this, I will not be able to do my job. Perhaps from this sentence, he can see his inclination toward tolerance: rather than proclaiming the pain to his mouth, he is more willing to endure in silence until the day he gets used to it, he can pretend that the pain has never existed.
There are a lot of inadvertent psychological descriptions in the script, because it is too nuanced, and it is destined to be unable to fully convey it no matter how vivid the interpretation is. For example, when Bond said to Vesper, "I have no armor," his eyes were actually full of fear. Love inherently has a sense of vulnerability: when a person chooses to love someone, he actually gives the other person the right to hurt himself, but he is willing to believe that the other person will not exercise this right. At that moment, I was wondering whether the agent realized the price he might have paid for it, but even so, he did not hesitate to turn back. Another example is after Vesper's death, he sat on the steamboat, threw the laptop into the water, and looked at the other things she had left, wondering if he had the courage to throw them all together. Finally, he turned on the mobile phone Vesper had left him, saw the text message, and understood what it meant, instantly engulfed by the overwhelming emotions, and was defeated.
But to calculate it, the most painful thing for me is to count the phone call M to him near the end. Ask him if you would love someone casually? Will you trust people casually? The agents said no one by one, decisively and without hesitation. After hanging up the phone, the script wrote-She knows she has just sacrificed a man to create a spy. And for a moment, she didn't feel very happy about it.
She sacrificed a human and created a spy. There is no doubt that this spy will go through the fire and water for his motherland in the future life unimpeded, and he will see death as home. He will only get better and better, more and more skilled, more and more at ease-closer and closer to humans. The indestructible realm that can be reached as far as possible.
It would be great if it was so. But obviously, DC's Bond can't be truly invulnerable-if he can be so tough and smile at the pain and torture, then he won't be Mr. Bang who is frowning all the time. The Bond he played was destined to have a certain sense of vulnerability, like the icy fog above the harbour in the severe winter, which is not touchable, but it follows him like a shadow, always floating in a gloomy manner. No matter how much he kept silent and refused to admit it, people could see the scars left in his heart from his mere glance. It was a lingering soft pain, entwined in his eyes, engraved in every subtlest expression, and it is still the best proof of his surviving humanity.
So probably no matter how long in the past, Casino Royale will still be my favorite one to turn out and ponder...=v=not only because the foreman has the best acting skills there (but also because, in every sense, I am very Love the human being before he became a spy. He is sharp and full of weaknesses. Although he is full of spirits, he is inevitably defeated. He also suffers from pain, fears, and injuries. He also has the inevitable past and bloody wounds. He is more emotional than ever since. Strong and full of flesh and blood. I have seen his somber appearance, and then I look back at the young and proud Abang back then, I Q_Q
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