Hollywood Film Company/Telescope Entertainment Co. Produced in 1999.
Director: M. Night Shyamalan (M. Night Shyamalan)
Starring: Bruce Willis (as Malcolm), Tony · Clay (Lynn Hill), Joe Osmond (Cole Hill), Olivia Williams (Anna)
Photography: Tak Fujimoto
Music: James Newton Howard
Editing: Andrew Mon Desen
awards: 2000 Las Vegas Film Critics Association Best Supporting Actor Award; Golden Globe Award for Best Supporting Actor Nomination, Best Screenplay Nomination; Chicago Film Critics Association's Best Screenplay Nomination, Best Supporting Actor Nomination; British Academy of Film and Television Arts Awards for Best Editing, Best Film, Best Original Screenplay; Oscar for Best Supporting Actor, Best Supporting Actress, Best Director, Best Editing, Best Film, Best Screenplay Nomination
Compilation: Xu Liyao
1. Interior, basement,
a naked light bulb lights up in the evening . The door to the basement was opened.
Anna Koloway wore a summer dress that showed her figure and walked down the stairs charmingly and charmingly.
She walked straight to the wine rack, slid her fingers across the trademark, and finally settled on a wine bottle, with a smile on her mouth.
She picked up the bottle, turned around to leave, but stopped again. She stared at the chilly basement, suddenly feeling uneasy. She stood motionless for a while, watching her breath turn into a thin mist in the cold air.
She walked quickly to the stairs and trot out of the basement.
(Cut in)
2. Interior view, living room. In the evening
, there is an empty wine bottle and some half-eaten Chinese dishes on the coffee table in the living room.
"It's cold." Anna threw Malcolm a sweatshirt and put the wine on the table.
Malcolm took the sweatshirt: "This is really a good frame."
Malcolm Koloway, wearing a vest and no tie, was standing at the coffee table, looking at a mahogany frame. He looks in his 30s, with curly hair, wise eyes, a little squint because of his long-term research work, and a charming, easy-going smile on his face.
"How much do you think such an exquisite frame is worth?" He put on his sweatshirt and sat on the sofa.
Anna sat down near Malcolm, smiled and said, "You talk like that Dr. Su when you are drunk."
Malcolm: "Anna, really. I'm serious."
Anna put her hands around Malcolm's arm. Turning to the frame: "I think it's worth at least two hundred dollars. Let me read the content."
"Am I really like Dr. Su?" Malcolm asked again.
Anna ignored Malcolm: "I would like to commend Malcolm Koloway for his outstanding achievements and contributions in the field of child psychology and his efforts to improve the quality of life of countless children and their families..."
Malcolm took a glass of wine and drank. After drinking, Anna smiled and grabbed his glass, and said: "You can concentrate a little bit.... And his continuous efforts to improve the quality of life of countless children and their families, the city is honored to award the son of Philadelphia, Marco Dr. M. Koloway—that’s you—Professional Excellence Award. They call you the'Son of Philadelphia'."
Malcolm: "Wow, we should hang this in the bathroom."
Anna turned her head to look at Marko Humm, his expression became serious.
Anna: "Tonight is very important to both of us, because someone finally understands the sacrifice you made. You put everything first, including me, for the families they said."
Anna gently touched Marco. Mu's face. Malcolm grabbed Anna's hand and kissed.
Anna: "This also proves that my husband is very talented. You taught the children how to face a situation that even adults can't bear. I believe these words are true."
Malcolm said affectionately: "Thank you."
They hugged and kissed tightly.
Malcolm (muttering): "I want to drink with a glass."
Anna responded.
Malcolm: "I don't want to use a big round cup, and I don't want to use a kettle."
Anna was joked by him, and the two laughed at the same time, which filled the room.
(Cut in)
3. Interior view, bedroom, Ye
Anna and Malcolm appear at the door of the bedroom.
Malcolm reached out and turned on the bathroom light. The light illuminates Anna who is standing aside. She took off her sweater jokingly and twisted her body like a striptease.
Malcolm was inspired to take off his sweatshirt and toss it aside.
Suddenly, Anna stood motionless in front of the window, looking down at the ground with a look of surprise.
Malcolm walked to Anna and saw a few pieces of broken glass on the ground. The wind blew in from the dropped glass window, and the phone next to the window fell to the ground with a very small beep. He was shocked.
At this time, a dark shadow flashed behind them and quickly disappeared.
Anna screamed. Malcolm turned around hurriedly. The two stared at the bathroom at the same time: There is someone inside!
Malcolm walked slowly to the bathroom door. First I saw a pile of clothes on the floor of the bathroom. Then there was a man. A strange, topless man was standing in the bathroom.
No one said a word.
The stranger was about 19 years old, taking drugs, had black eyes, and his body was covered with bruises and scars. He folded his hands on his chest, his whole body trembling slightly. There is a spot of gray in his hair.
"Anna, don't move, don't say anything." Malcolm spoke in a very calm tone, keeping his eyes on the stranger: "This is 47 Locks Street. You broke the glass and broke into a private house..." The
stranger The man raised his head for the first time, looked at Malcolm, and said tremblingly: "You don't know anything..."
"There are no drugs or drugs here." Malcolm tried to persuade the stranger.
The stranger suddenly began to move forward, walking directly towards the door.
Malcolm backed away instinctively and tripped on the bed.
When Anna saw a stranger for the first time at this time, her face suddenly became pale.
The stranger saw Anna, staring at her squintly, as if to see her heart, crying and asking: "Do you know why people are afraid when they are alone? I know..."
Anna alertly: "What do you want?"
"I want him to promise me!" the stranger turned to Malcolm and called hysterically.
Anna: "God!"
Malcolm: "Do I know you?"
"Don't you know me, genius doctor? You don't remember your patient?..." The stranger's eyes were full of tears.
Malcolm seemed to have been beaten and was speechless for a moment.
Stranger: "...in the city clinic, single-parent family, may suffer from mood disorders."
Malcolm recalled.
Stranger: "...I was so scared at the time. You said I could not face the divorce of my parents. You were wrong."
Malcolm seemed to think of something.
"...Look at me now." The stranger was hysterical again: "I don't want to be scared anymore..."
Malcolm: "Let me think about it." The
stranger slammed the bathroom door frame hard: "I'll wait for you for ten years. Now! I won’t wait any longer!”
Malcolm: “Ban Fecken?”
Stranger: “Some people call me a freak.”
Malcolm: “Ryan Sumner?”
Tears from the stranger Falling on his face: "I am indeed a freak, look at me."
Malcolm seemed to be inspired: "Vincent?" For
a moment there was silence.
Malcolm: "Vincent Gray?"
Vincent Gray was already crying and his eyes blurred.
Malcolm sighed as if he had just come out of the deep water: "Of course I remember you. Quiet, smart, sympathetic, and very sympathetic."
"You have forgotten me and you will be cursed. You gave up on me." Vincent sobbed, and then bitterly: "You gave up on me!"
Malcolm whispered, "Vincent, I'm sorry I didn't Help you..." Malcolm got up from the bed.
Vincent lowered his head and turned and walked to the sink.
Vincent: "...I will try again. If you can give me another chance."
Vincent grabbed a pistol, shot Malcolm, and then shot himself in the head.
Malcolm fell onto the bed clutching his stomach. Anna's sharp cry cut through the night sky.
Malcolm: "Vincent..."
Anna: "Stop talking. Hush!"
(Fade out)
4. Location, bench, afternoon
subtitle: Autumn. Philadelphia South City.
Malcolm sat on the bench and read the handwritten document. The first few lines of the document read: "Vincent Gray, 10 years old, referral on January 19, 1989."
The door across the bench opened and a boy stood. at the door.
Malcolm quickly turned to the file: "Cole Hill, 8 years old, referred in September 1998, divorced parents, extremely anxious, withdrawn personality, may suffer from mood disorders."
Cole Hill has a pair of black With his big eyes, it seems that he wants to see everything around him at any time. Brown hair, soft. The 8-year-old child carefully locked the door, took out a pair of huge glasses from his schoolbag and put on it, which looked very ridiculous.
He walked down the steps and looked around nervously.
Malcolm stood up, straightened his shirt, and buttoned his jacket.
Cole ran at full speed along the street.
Malcolm was stunned for a moment, and he packed up the papers and chased after him.
(Cut in)
5. Location, street, during the day
Malcolm stopped at an intersection, looking for Cole, and found him running into a parking lot.
Cole quickly passed through the empty parking lot and ran to the door of a building. He pushed open the gorgeous door with all his strength and got in.
Malcolm looked up and found that it was the Philadelphia church.
(Cut in)
6. Interior view, church,
there are almost no people in the huge church during the day .
Malcolm glanced at the church and found Cole squatting along the middle aisle.
Cole was playing with a group of green and brown plastic soldiers on the backrest bench. He said something inexplicable: "...De profundis clamo ad te, dominine."
Cole felt someone. He looked up and saw Malcolm looking up. Staring at him, his face turned pale, and he held a soldier tightly in his hand.
Malcolm: "Don't be afraid, Cole. This is Dr. Malcolm Crowe."
Cole was motionless.
"...We were going to meet today, but I didn't make it, sorry." With that, Malcolm sat down. Cole put his soldiers on the back of the bench.
Malcolm: "In Europe a long time ago, people would hide in churches and seek refuge."
"What are they hiding?" Cole sat on the bench curiously.
Malcolm: "Most of them are hiding from the bad guys, the bad guys who want to lock them up and hurt them... I noticed that there are no lenses on your glasses."
Cole: "This is my dad's. The lenses are uncomfortable. . "
Malcolm:" What did you say with toy soldiers "?
Cole:".. ... De profundis clamo ad te, domine it was the Latin "
scratch on Malcolm and Cole noticed wrist Bruised, new and old: "Do your soldiers all speak Latin?"
Cole: "No, there is only one."
Malcolm frowned.
Cole: "Are you a good doctor?"
Malcolm: "It used to be. I got a certificate. The mayor gave it to me. Its frame is very expensive."
Cole put the soldier in his schoolbag and stood up: "I will see you again, right? ? "
Malcolm:". If you do not mind, "
Cole thoughtfully turned toward the outside the church. When he reached the exit, Cole quickly took a small piece of Jesus from a pile of Jesus and put it into his school bag.
Malcolm stared blankly, and did not close his mouth for a long time.
(Cut in)
7. Interior view, Malcolm's home, Malcolm in the evening
: "It's me." No one answered.
(Cut in)
8. Interior view, restaurant,
Malcolm walked into the restaurant in the evening and saw that there was only a pair of cutlery on the table and there was food left.
(Cut in)
9. Interior view, bedroom,
Malcolm walks into the bedroom in the evening . Only one reading light was on.
Anna seemed to be asleep in bed. She was wrapped in a blanket and held a ball of tissue in her hand.
Malcolm sat on the edge of the bed and looked at his wife.
Anna wrapped the blanket tighter.
(Cut in)
10. Interior, corridor, night
Malcolm twisted the doorknob of the basement.
The door is locked.
Malcolm reached into his trouser pocket for the key.
(Cut in)
11. Interior view, basement, the
empty basement at night is full of file cabinets, file boxes, and books on psychology and medicine. A desk is next to the wine rack.
Malcolm found a thick book from the dusty pile of books with the words "Latin Dictionary" printed on the spine.
Malcolm sat down at the table and opened Cole's papers. The first few lines read: "De profundis calms ad te, dominant."
Malcolm looked up the meanings of these Latin words.
Malcolm translates the meaning of each word: God, I cry to you from the abyss.
He was stunned.
(Cut in)
12. Location, Philadelphia, the dawn of
ancient Philadelphia has awakened. The rising sun has put a golden coat on the whole city.
The sound of church bells, the sound of helicopters... the sound was loud, piercing the sky.
(Cut in)
13. Interior, laundry room, in the morning
a puppy with eyes of different colors poked his head out of a pile of clothes that had just been dry-cleaned.
Lynn Sear found a coat from the dry cleaning machine, shook in the air, and put it on in a hurry. She is less than 30 years old, with fluffy hair and a very attractive woman.
Lin entered the next kitchen. A breakfast is ready on the kitchen table.
"Cole", Lin closed the open cupboard doors and drawers as she walked to the coffee machine.
Cole walked to the table in his school uniform and sat down.
Lynn: "Your chocolate chips are soft."
Lynn walked to Cole and checked his tie: "It's stained with spots."
Lynn took off her tie and walked into the dry cleaning room. Cole sat down at the table.
Lin found a clean tie from the dry-cleaned clothes and turned back to the kitchen. She couldn't help screaming because she saw all the cabinet doors and all the drawers were open.
Cole sat at the table, his hand flat against the tabletop. He seemed to be shaking.
Lin: "Are you looking for something?"
Cole: "Sandwich pie."
Lin glanced at the cupboard by the sink, and the sandwich pie was obvious.
Lynn: "It's right here."
"Oh", Cole didn't move.
Lin closed the door and drawer again.
Cole: "Mom, what are you thinking?"
Lin: "Many things."
Cole's hand was still on the tabletop: "Do you think I'm bad?"
Lin leaned down and said, "Look at me."
Cole looked at Lin.
Lynn: "I definitely don't think you are bad, understand?"
Cole looked into her eyes and said, "Understood."
The doorbell rang.
Cole: "Tommy is here, Mom."
Cole quickly stood up and ran out.
Lynn: "Tuck the tie in. Don't you want this?"
Cole turned and saw Lynn holding the sandwich pie. I ran back and took it and left.
Lin glanced at the desktop, and the two dazzling handprints on the desktop attracted her attention. She walked to the window very disturbed.
(Cut in)
14. Location, Brownstone Street, Morning
Tommy looks like an 8-year-old Italian villain, wearing a school uniform standing in front of Cole's house and waiting.
Cole walked down the steps.
Tommy took Cole's schoolbag, slung it on himself, and walked towards the school with Cole's arms around. Cole turned around and beckoned to his mother.
After turning the corner for a while, out of Lin’s sight, Tommy immediately lowered his arm and said, "Hey, freak, how about putting on the shoulders? I thought about it temporarily. I'm really talented. First-class actors can do it. This is called improvisation. "Speaking of returning the schoolbag to Cole, he ran away.
Cole looked around nervously.
(Cut in)
15. Location, St. Anthony's school, the
last bell rang in the morning school, boys and girls in school uniforms ran into the school gate one after another.
Cole was the last one to enter. He stood alone in the aisle, as if he could go anywhere as long as he didn't enter the school. He put his hand in his pocket and walked into the school cautiously.
(Cut in)
16. Interior view, Cole's house. In the afternoon,
Lin was sitting on the chair at the entrance of the study, and Malcolm was sitting across from her.
The door opened, and Cole went home from school and closed the door carefully.
"Baby, how are you today?" Lin got up and walked to Cole, leaning over and taking off Cole's coat and schoolbag.
Cole shrugged.
Lin said softly, "Just say what you want."
Cole didn't answer.
Lin asked softly: "Do you know what I am doing today?"
Cole shook his head and said he didn't know.
Lynn: "I won the Penn State lottery ticket early in the morning. I quit my job and went to the park, ate a lot of chocolate pies, and went swimming in the fountain in the afternoon... What did you do?"
Cole began to laugh. After thinking for a while, he said, "I was selected as the number one player on the baseball team after class. I hit a home run and my classmates lifted me up and cheered." The
mother and son smiled at each other.
Lin: "It's great. I'll fry the triangular muffins for you. It will take an hour."
Lin got up and went into the kitchen.
(Cut in)
17. Interior, study, afternoon
study is also a playroom, there are many toys piled in the corner.
Cole appeared at the door. Malcolm pointed to the empty chair by the coffee table and asked Cole, "Want to sit?"
Cole shook his head gently.
Malcolm: "Don't you want to talk about it today?"
Cole shook his head again.
Malcolm: "Want to play a game?"
Cole seemed a little interested.
Malcolm: "This is a guessing game."
Cole watched quietly.
Malcolm: "It’s like this: I guess what you’re thinking. If I’m right, you take a step forward; if I’m wrong, you take a step back to the door. If you walk to the chair You have to sit down; if you retreat to the door, you can go. Want to play?"
Cole thought for a while and nodded.
Malcolm: "Good."
Malcolm put his hand on the sky spirit cover, as if juggling. He closed his eyes tightly and said, "When your parents first got divorced, your mother used to find a doctor like me, and he couldn't help her. So you think I can't help you either."
Cole was surprised and moved forward. A small step.
Malcolm: "You're worried. She said she told the doctor something, something she didn't tell anyone. Some secrets."
Cole took another step.
Malcolm looked at Cole and said, "You also have secrets that you don't want to tell me."
Cole took another step. He should have sat on the chair just one step away.
Malcolm smiled and glanced at Cole's wrist. He wears a huge silver watch on his hand. The watch slides on his wrist, the size almost fits his shoulder. Malcolm said confidently: "Your father left you that watch before he left."
Cole took a step back and said, "He forgot in the drawer. It's broken."
Malcolm is not so. Confident, he looked at Cole’s school uniform and said, “You are very quiet at school. You are a good student and never get into trouble.”
Cole took a step back slowly and said, “One time in art class, let We draw whatever we want. I drew one person, and the other took a screwdriver and pierced his neck."
Malcolm: "Did you see it on TV?"
Cole replied while taking a step back. Everyone was very angry. They looked for a meeting with their mother. Mom started crying. Then I didn't draw these anymore."
Malcolm: "What are you painting now?"
Cole: "Draw smiling people, running dogs, and There is a rainbow. They won't meet because of the rainbow."
Malcolm: "Yes, I don't think they will."
Cole's foot came to the door just one step away. Cole stood quietly and asked, "What am I thinking now?"
Malcolm looked at Cole, just watching: "I don't know what you are thinking."
Cole quietly retreated to another room. At the door, said: "I was thinking, you are very nice, but you can't help me."
Cole's figure disappeared by the door.
(Cut in)
18. Interior view, restaurant, in the evening
Malcolm hurriedly walked into a dimly lit Italian restaurant. He searched every dining table and found Anna.
Anna sat alone in a corner. Half of the food is still on the table.
Anna was stirring the coffee, and Malcolm sat down across from her, she continued stirring without raising her head.
Malcolm: "I thought you were talking about another Italian restaurant, where I asked you to marry me."
Anna didn't move.
Malcolm: "Anna, I'm sorry. I've always forgotten the time lately."
Anna took a sip of coffee.
Malcolm: "Today's visit was not very smooth either."
Anna looked up for the waiter.
Malcolm: "...The two of them are very similar, with the same movements and expressions, and with the same psychological problems. He may have been abused."
Anna looked back, glanced in Malcolm's direction, and lowered her head.
Malcolm: "... Cole has scratches on his hands, as if he was scratched by a nail, maybe it was scratched when resisting. I don't know. It may be a teacher or a neighbor. It should not be his mother. I have seen it. They get along and don't look like her. I might have misunderstood. Maybe he just likes climbing trees." The
waiter put down the bill and Anna signed it before Malcolm.
Malcolm: "Anna, I know I have alienated you, I know you are angry... But I think this is my chance to make up. I don't want to miss it."
Anna: "Happy wedding anniversary."
Anna got up and left. , Did not say a word.
Malcolm sat alone.
(Fade out)
19. Location, street. In the afternoon,
Cole and Malcolm walked along the Brownstone Street. From time to time, children around the age of seven or eight played around.
Cole: "Don't look at me all the time. I don't like to be seen that way."
Malcolm: "Okay."
Cole: "I go to school with Tommy."
Malcolm: "He is your good friend ? "
Cole:" he hates me. "
Malcolm:" do you hate him? "
Cole:" do not. "
Malcolm:" this is your mother arrangements "?
Cole:." Yes. "
Malcolm: "Have you told your mother about Tommy?"
Cole: "I don't tell her anything."
Malcolm: "Why?"
Cole: "I don't want her to be like others Look at me. I don't want her to know."
Malcolm: "Know what?"
Cole: "I'm a freak."
Malcolm stopped. He stared at Cole: "You're not a freak, you know? Don't believe what other people say, it's all bullshit. You don't have to believe these words. Okay? Let's go."
Cole was a little surprised. He caught up with Malcolm and said: "You just said dirty words."
Malcolm: "Yes, I know. I'm sorry."
Malcolm was a little emotional, and Cole was suddenly moved by Malcolm, and he used another one. Looked at Malcolm with a stare.
(Cut in)
20. Interior view, Brownstone Street, Ye
Lin is cleaning the house.
She carried a laundry basket, adjusted the temperature regulator on the wall, and turned into the hall.
Lin put the things to be washed in the laundry basket.
Life photos of Lynn and Cole hung on the wall in the hall. There was Cole's birthday party, Lynn and Cole were in an amusement park, Cole was under the Christmas tree...
Lynne took a step forward. She found something she had never noticed before.
In Cole's 3-year-old photo, there is an arc behind Cole, the arc is not very clear, it seems to be dirty on the film.
Lin found that every nearby photo had an arc behind Cole.
She looked at each photo curiously.
(Cut in)
21. Interior view, Cole's bedroom. In the afternoon,
Lin listened to the headphones and walked into Cole's room to clean up.
The most striking thing in the whole room is the self-made tent fixed on chairs and boxes with sheets and blankets, which occupies a large area of the room. The tent says "Do Not Enter". Sebastian the German Shepherd moved and continued to sleep.
On Cole's bedside table, there is a picture frame of Lynn, Cole and a man. The man is like a large replica of Cole.
Lin picked up the dirty clothes on the floor and on the easel and threw them into the laundry basket.
Lin saw that the table was covered with scraps of paper with writing on it. Lin was stunned by the content on the paper.
On the paper, words like "I want to kill you" and "I will kill you if I don't let the baby be quiet."
(Cut in)
22. Interior, study, afternoon
"...so your father lives in Pittsburgh with the toll gate lady." Malcolm asked, sitting on the sofa.
Cole (Voiceover): "What about her urgency at work? Will she hold it?"
Malcolm: "I don't know. I'm thinking about this too."
Cole (Voiceover): "You keep asking today Raise my dad. Why?"
Cole was playing behind the sofa, but didn't know what he was playing.
Malcolm: "I do not know sometimes we do something to attract attention, to express how we feel about certain things, like things like divorce, just as some people would deliberately throw things people find..."
Section Your head is moving. But obviously wearing a hat.
Malcolm: "Cole, do you know the free association notation?"
Cole: "I don't know."
Malcolm: "Free association writing is to take a pen and start writing on a piece of paper. Don't look at or think about what you are writing, just keep writing. As long as your hand doesn't stop, after a while , You will write unexpected things on a whim. Maybe it’s something you heard elsewhere, or something hidden deep in your heart. Have you ever written?"
Cole (voice-over): "Write Ever."
Malcolm: "What do you write?"
Cole was behind the sofa, showing only the top of his head: "Some annoying words."
Malcolm: "Have you written those words before your father left?" "
Cole:." I do not remember, "
Malcolm looked at Cole, suddenly reminded of a question:" Do me a favor, will you? "
Malcolm smiled and stood up:" think for our interview, What result do you want. Set a goal."
"What do I want?" Cole showed his head from behind the sofa. He was wearing his father's hat, which was too big to wrap him up to show only his small face.
Malcolm: "If you can change your life, what do you want?"
Cole came out from behind the sofa: "Can I not want something?"
Malcolm: "Yes."
Cole: "I don't want to feel anymore Fear.”
(cut in)
23. Interior, basement,
Malcolm’s desk is full of books.
Malcolm is reading a very thick reference book. The circled place in the book reads: "The scars on the arms and legs may be the result of self-harm."
Malcolm was disturbed by the knock on the door above his head. He raised his head and said to the ceiling, "Go open the door, okay? "
The voice of Anna opening the door.
Anna (voice-over): "Did you not see me enough in the store?"
Malcolm stood up, trying to hear more clearly.
Man (voice-over): "I'm going to the flea market of the Asian Americans. I would like to invite you to teach me to pick goods."
Anna (voice-over): "I don't want to deal with the Armesians today. They don't allow others to swear or spit."
Malcolm smiled.
Man (voice-over): "I think you might be willing to go for a walk. You've been a little frustrated lately."
Malcolm was not happy.
Anna (voice-over): "I'm fine."
Man (voice-over): "Can I bring things to you when I come back? It won't be troublesome."
Malcolm shook his head.
Anna (voice-over): "No, I can wait to watch it when I go to work."
Man (voice-over): "Okay, it doesn't matter. Then I'll go and talk later."
Anna (voice-over): "Don't step on horse dung a. "
the man (voiceover):" Thank you care. "
Malcolm walked the narrow basement window and looked out.
(Cut in)
24. Interior/exterior view, Malcolm's house,
Sunshine, a charming, twenty-seven-year-old young man standing on the street, hesitated for a while, and got into the car with a little regret.
Malcolm: "Fucky boy, let's go."
(cut in)
25. Interior view, classroom,
Stanley Cunningham is a 40-something teacher. He asked a question on the blackboard: "Can anyone tell me where the capital of the United States was from 1790 to 1800?"
Mr. Cunningham looked at the eight or nine-year-old students and asked again.
Cole put his chin on the desk, his big eyes flashed, looking at the classmates.
Mr. Cunningham: "Give you a reminder, it is the city you live in."
All the students replied together: "Philadelphia."
Mr. Cunningham: "Yes, Philadelphia is one of the oldest cities in the United States. Many people stay here for their entire lives. Almost every place here has a long history, including this school and campus. Is there anyone Can you tell me, what did this school do a hundred years ago? Before you came to school, or even before I came to this school?"
Cole looked around and raised his hand.
Mr. Cunningham: "Cole, you say."
Cole: "They hanged people here before."
Mr. Cunningham frowned: "No, where did you hear it?"
Cole: "They took The crying prisoners pulled away, and bystanders spit at them."
Mr. Cunningham: "Cole, this used to be a court. Many laws were enacted and passed here. At that time, it was all lawyers and legislators."
Cole: " They also hanged the prisoner."
Mr. Cunningham: "I don't know who told you, they may just want to scare you."
The class headed by Tommy began to snicker.
Cole glanced around and found that all the classmates were staring at him, and the teacher was staring at him.
Cole: "I don't like people looking at me like this."
Mr. Cunningham: "How do you look at you?"
Cole: "Don't look."
Mr. Cunningham stopped seeing the hurt look on Cole's face. He smiled, got up and walked towards Cole: "I don't know what to look at..."
Cole was emotionally: "You are stuttering Stanley!"
Mr. Cunningham was stunned, and the whole class was stunned.
Mr. Cunningham: "What?"
Cole: "You stammered when you were in school, until high school!" The
class was shocked. Mr. Cunningham involuntarily walked towards Cole: "What?"
Cole: "Don't look at people this way, it will make the other person uncomfortable."
Mr. Cunningham approached Cole: "How do you..."
"Stop looking at me." Cole blindfolded his hands.
"Yes...who told you?" Mr. Cunningham began to stammer. Cole
yelled with blindfolded eyes: "Stutter Stanley! Stutter Stanley!"
Mr. Cunningham stood beside Cole: "Don't...Stop it!"
Cole: "Stutter Stanley! Stutter Stanley!" "
Mr. Cunningham: "Don't...don't...Stop talking!"
Cole: "Stutter..."
" Stop... shut up!" Mr. Cunningham punched Cole's desk: " You freak... freak!"
Cole took away his blindfolded hands and saw the teacher's face flushed.
The children froze.
(Cut in)
26. Interior view, Anthony Library,
Cole sits alone in the library in the afternoon . He was sitting on the edge of a long table near the window, his head drooping.
Malcolm walked into the room and sat down across from Cole: "Hey, kid, how are you?"
"I don't want to talk about anything now." Cole raised his head, his eyes full of anger and coldness.
Malcolm: "Okay."
The sound of children exercising came from the playground outside the window.
Cole turned his head and looked out the window. Malcolm was moved by the injured boy in front of him.
Malcolm took a penny copper plate from his pocket and placed it in his left hand: "Do you like magic?"
Cole's face softened a little, and he turned to Malcolm.
"Look carefully. A magical copper plate. It looks very ordinary." Malcolm grabbed the copper plate in his left hand and tapped it with both hands: "But I just need to pat it...it will run into my right hand..."
Cole looked at Malcolm's left hand.
"But the trick is not over yet. I just need to shake it again, and it will run into my pocket." Malcolm patted his jacket pocket with his right hand: "But this is not over yet! I shake it again, and it will go to my pocket again. Back to his left hand." Malcolm opened his left hand, the copper plate in his palm.
Cole looked at the copper plate, then Malcolm's face: "This is not magic."
Malcolm: "What did you say? Of course it is magic."
Cole: "The copper plate is always in your left hand."
"Yes. Is it?" Malcolm smiled playfully.
Cole glared at the copper plate and looked at Malcolm: "I didn't know you would be funny too."
The laughter of the children outside the window came in again. Malcolm and Cole listened to the laughter outside at the same time, and neither spoke.
(Cut in)
27. Interior view, corridor, in the evening
Malcolm chooses to read some bills on the table with the mail.
Woman (voice-over): "Malcolm, sit down and listen."
Malcolm turned and walked towards the woman's voice. It turned out that the TV in the living room was on, and the woman's voice came from the wedding video of Malcolm and Anna.
Bridesmaid (TV): "Never said, Anna is like my sister. You better make her happy. It's not just superficial happiness.... Come here, don't tell her that I said it. She said she is the first The second time she saw you in the street, she knew she loved you. (sobbingly) She was willing to give everything for you. I love you... Do you have a tissue?"
Malcolm couldn't help laughing.
(Cut in)
28. Interior view, bedroom,
Malcolm walked into the bedroom in the evening .
The sound of the shower came from the bathroom.
Malcolm stopped at the bathroom door.
(Cut in)
29. Interior view, bathroom, in the evening
Malcolm looked at Anna's silhouette through the foggy glass, and was attracted by Anna's beauty.
Malcolm noticed that there was a small bottle on the cabinet by the bathroom door, which read: "Antidepressant, twice a day."
Malcolm stared at Anna under the water curtain in a puzzled manner.
(Cut in)
30. Interior view, Malcolm's house. In the evening,
Malcolm walked to the door of the basement and found that the door was locked. He looks for the key.
(Cut in)
31. Location, Dai Lun's house, Japanese
colored balloons are fluttering in front of the old gray stone house.
(Cut in)
32. Interior, restaurant, Japanese
restaurant only Cole and super fat boy Bobby are sitting at the dinner table. A table next to it was piled with birthday presents. The room was filled with the sounds of children having fun.
Bobby watched Cole drew his right hand in the air blankly.
"... As long as you shake it gently, the copper plate will run from my pocket to the original hand." Cole smiled and spread out his palm, revealing a copper plate.
Bobby stared at him and said, "It's so stupid."
Cole lost a smile on his face. "This should be funny."
Bobby: "It's stupid. Give me the copper plate."
Cole put the copper plate boredly. Give it back to Bobby.
(Cut in)
33. Interior, kitchen,
Cole sits alone in the corner of the living room in the afternoon . The kitchen door was open, and Lin was talking to Darren's mother. Judging from the dressing, it was obvious that they belonged to two different types of people.
Lin: "He is rarely invited."
Dai Lun's mother: "This is our honor."
Lin: "The last time I attended the party at Tongxinyuan a year ago, he hid in a plastic tunnel and refused to come out."
Darren's mother: "What garden?"
Lin: "Children's Heart Garden, where children go."
Darren's mother smiled politely and turned to greet other guests: "Borrowed."
Lynn: "Sorry."
(cut in)
34. Interior view, corridor. In the afternoon,
Cole saw a red balloon with a long line floating along the spiral staircase towards the roof. He stood up and went up the stairs in the direction of the balloon.
Man (Voiceover): "Sir? Madam? Is anyone there? Please, open the door, I am bored. If someone hears, please open the door. I swear, I didn't steal the master's horse.... Open the door, or I will Grab you." The
sound came from the dark room at the end of the stairs, and the door of the room was open. Cole stared at the dark room, his face pale.
Tommy is talking to Darren, the birthday boy.
Tommy: "Advertising stars have their own lounges."
Darren: "What are they for?"
Tommy: "Used to think about roles and dialogue alone."
Darren: "You only have one line."
Tommy glanced at it. Cole, who was staring at the dark room in a daze, said: "Daren, look at it."
Darren glanced at Cole, "My dad forced me to invite him."
Tommy motioned to Darren to go up the stairs and walk to Cole. By your side, Cole suddenly recovered from the daze.
Cole: "Happy birthday, Darren."
"Do you want to go in?" Tommy pointed to the dark room.
Cole replied very quickly: "No."
Tommy looked at Darren and then at Cole: "We are going to do a play. Do you want to join?"
Cole: "Okay."
Tommy: " The title of the play is "Who's in the Cellar"."
Darren: "Yes, you will play the role that is locked in the cellar." Before
Cole could react, Darren and Tommy pushed him forward alone. The black room.
Cole struggled with horror: "No!"
Tommy slammed the door hard.
Cole knocked hard on the door of the black room inside.
Suddenly there was no sound inside. The red balloon on the roof burst suddenly. Then Cole screamed. Cole's heart-piercing cry stunned the two boys.
Lin vaguely heard Cole's voice. She went up the stairs. She recognized Cole's sharp cry and rushed to the door of the dark room, turning the handle desperately. The door opened, and Lin took Cole out, who had passed out in a coma.
(Cut in)
35. Interior view, hospital reception room. In the afternoon,
"He has no heart disease and is in good condition. As long as he takes a break, he can go home tonight."
Lin closed her eyes and sighed painfully after listening to Doctor Hill's words. In a sigh of relief.
Dr. Hill: "Your son has some bruises and scars on his body. I am worried."
Malcolm, who was sitting behind Lin, noticed a woman standing in the doorway.
"That was caused by sports." Lin opened her eyes wide, trying to catch Doctor Hill's expression: "Do you think I did it? Do you think I'm a bad mother?"
Doctor Hill turned to look at the door without comment, "Sloan The wife is there. She is a social worker in the hospital. She will ask you some questions about the procedures."
Lin raised her voice: "What happened to my child today? Something happened to him... Things are very wrong."
(cut in)
36. Interior view, In the hospital ward, Ye
Cole was lying straight on the hospital bed, wrapped in a blanket, staring out the window.
"Hey" Malcolm walked into the ward and sat down by the bed: "Does your father tell a story before going to bed?"
Cole didn't respond.
Malcolm hesitated and began to tell the story: "A long, long time ago, there was a prince who decided to take a drive, so he got the driver and set off. I drove, drove, and drove for a long time. Fell asleep... When he woke up, he found that they were still driving. It's a long journey."
Cole turned his head and said, "Dr. Clovey."
Malcolm: "Yeah."
Cole: "You used to Didn't you tell a bedtime story at all?"
Malcolm smiled: "Yes, I haven't said it."
Cole: "You have to add some plot to go in."
Malcolm: "Okay, add some plot. What kind of plot? Give me some hints."
Ke Er: "Maybe they are out of gas."
Malcolm: "No gas, good, they are driving, aren't they?"
Cole: "Tell me why you are sad?"
Malcolm was surprised: "Do you think I am Very sad?"
Cole nodded.
Malcolm: "Why do you think that?"
Cole: "Your eyes tell me."
Malcolm was moved by his little patient and choked a little: "I shouldn't talk about this topic."
Cole He sighed weakly.
"There used to be a man named Malcolm," Malcolm looked at the tired little boy in front of him, and began to say emotionally: "He helps children solve problems, he likes this job, and what does he love about it? For everything. One day, he found out that he had treated a child wrongly and he couldn’t help that child. He blamed himself and couldn’t forget. Since then, everything has changed and he is no longer the same. His wife is not the same. Like him now, they don't talk anymore, just like strangers."
Cole stared at him.
Malcolm: "...One day, Malcolm met a wonderful child who looked like that child. Malcolm decided to help this child because he felt that if he could help this child, it would be the same as saving. The previous child."
Cole: "Is there any ending to this story?"
Malcolm: "I don't know."
Cole thought for a while, and made up his mind: "I will tell you my secret now. . "
Malcolm nodded:" good. "
Kohl pain, fear and said:" I see dead. "
Malcolm stared quietly:" in your dreams do? "
Cole shook his head.
Malcolm: "While you are awake?"
Cole nodded.
Malcolm pretended to be calm: "Are you dead in the coffin?"
Cole shook his head: "They walked around like us, they couldn't see each other, they only saw what they wanted to see. They didn't know they were dead. "
Malcolm tried to control his questioning, trying not to show any emotions: "Do you often see them?"
" Seeing them often?" Cole said with tears in his eyes: "There are them everywhere.... You won't Tell someone else?"
Malcolm: "No, I promise."
Cole: "Wait until I fall asleep, okay?"
Malcolm nodded.
Cole covered the blanket, turned to the window, and closed his eyes.
Malcolm stared at Cole quietly.
(Cut in)
37. Location, street corner, night
"Cole, his condition is more serious than I thought. He will have hallucinations, delusions, and some kind of schizophrenia in preschool children, and may have to be hospitalized for medication. Malcolm was standing on the street, recording: "I can't help him either." After speaking, Malcolm turned off the recorder.
(Stacked)
38. Interior view, Cole's house, the night
door opened, and Lin came in with Cole behind her back. Cole was already asleep on her shoulder.
Lynn gently put Cole on the bed.
Cole curled up like a 4-year-old kid.
Lin took off Cole's coat. She saw a hole in the back of her dress, and then looked at the three small tears on the back of Cole's T-shirt. She quickly picked up Cole's T-shirt and saw the scratches of her fingernails on Cole's back.
Lin looked around helplessly, tears in her eyes.
(Cut in)
39. Interior, entrance hall, Ye
Lin is calling in her room.
Lynn: "Hello, this is Lynn Hill, Cole's mother, please tell your son and his friends not to touch my son's hair."
(Fade out)
40. Interior view, foyer, a
few hours at night From now on, the whole room was silent.
(Cut in)
41. Interior, Cole's house,
there is an unusual silence in every corner of the house late at night .
The door of Cole's room opened, and Cole poked his head out of the room, leaning on his knees, dancing as if, cautiously walking through the corridor to the bathroom to pee.
The thermostat on the wall shows 52 degrees.
A huge figure passed by the walkway behind Cole.
Cole felt someone, and turned around in fear, seeing nothing. He flushed the toilet and looked into the dark hallway. Shaking with the cold, Cole saw the light coming from the kitchen, hesitated, and walked towards the kitchen.
(Cut in)
42. Interior view, kitchen,
Yeker sees a woman cooking on the stove in the kitchen.
"Mom?" Cole yelled, feeling less scared.
The man turned around, not Lin, but a strange woman. The woman's face has changed, and her face is blue and purple. All the cabinets and drawers behind her were open.
Woman: "Supper is not ready yet!"
Cole's face turned into ashes in an instant.
Woman: "What do you want?"
Cole retreated to the door.
"You can't hurt me anymore!" The woman stretched out her wrists and smiled menacingly. There are also two purple scars on the wrist.
(Cut in)
43. Interior view, entrance hall, Ye
Cole ran across the entrance hall and quickly ran back to his bedroom.
Woman: "Lenny, you are a bad husband! I was forced to death by you!"
(cut in)
44. Interior, bedroom, night
Cole ran directly to the self-made tent that said "Don't come near" and got in.
The mad woman stood at the end of the corridor and did not approach.
(Cut in)
45. Interior view, tent,
Yeker curled up in the tent, shaking with fear. He turned on a flashlight, panting, and comforted himself: "Okay, okay." The
tent lit up. The walls of the tent were lined with religious pictures, and all around the tent were filled with various small Jesus statues, including the one that Cole had stolen from the church. This is a self-made refuge for an 8-year-old boy.
(Cut in)
46. Interior, auditorium stage, afternoon
"There used to be a different boy who lived in the jungle and he could talk to animals." Tommy spoke on the stage in a very authentic British accent.
The parents and the audience applauded.
light is on. When the curtain opened, all the actors appeared on the stage, and the parents and the audience once again responded with warm applause. Some of these actors are dressed as villagers, and some play trees and animals. The sign on the side of the stage reads: Third and Fourth Grade Performance-Kipling Radiyad's "Jungle Story".
Malcolm sat in the auditorium.
(Cut in)
47. Interior view, school corridor, the
arched school corridor in the afternoon is covered with pictures and examination papers.
Cole and Malcolm walked to an empty hall.
Cole: "Do you think this play is terrible?"
Malcolm: "What?"
Cole: "Tommy played a cough medicine ad. He said everyone was acting unnaturally, and he said that the play was very unnatural. Bad."
Malcolm: "This Tommy seems to be annoying. I think this drama is very good. It's better than "Cat"."
Cole: "What is "Cat"?"
Malcolm: "Nothing ."
They continued walking.
Malcolm: "Cole, what you said in the hospital is very interesting. I want to listen more."
Malcolm walked forward and found that Cole was not following him. Looking back, Cole was motionless ten paces away.
Malcolm watched Cole's expression, approached him, and asked, "Cole, what's the matter?"
Cole glanced to the left without speaking.
(Cut in)
48. Interior view, gym,
a big gym on the left in the afternoon .
Three people were hanged on wooden beams, looking terrifying. The middle one is a black man with a purple face. The one on the right is a white woman, wearing a shabby white dress with frills, her face already soaked in tears. A mixed-race boy is on their left. The family of three stared straight at Cole.
Cole shivered constantly.
Malcolm followed Cole's gaze to look at the top of the gym: "Is there anything there?" He squatted down and said to Cole, "I didn't see anything."
Cole: "Don't move. Sometimes you have It feels like you are falling into an abyss. But you actually didn’t move at all. Do you suddenly feel that the nape of your neck is straight?"
Malcolm: " Yes ."
Cole: "Goose bumps all over your body?"
Mal Cole: "Yes ."
Cole: "That's them. When they are angry, they become very cold."
Malcolm looked at the empty stairwell, then turned to look at Cole: "I have nothing. See, are you sure they are there? Cole?"
Cole looked at Malcolm desperately: "Please tell them to go away."
Malcolm said helplessly and softly: "I'm working hard. Let's go. "After speaking, he got up and led Cole out of the stairwell.
(Fade out)
49. Location, the supermarket,
Rilin and Cole come out of the supermarket.
Cole sat quietly in the supermarket trolley with a pile of food beside him.
Lin leaned over to look at her pensive son, speeding up the wheelbarrow.
A breeze lifted Cole's hair. Cole awoke from deep thought and raised his arms, feeling like riding a roller coaster.
The car slowed down. Lin leaned over to look at her son's smiling face, a happy expression appeared on his face for the first time.
(Cut in)
50. Interior, kitchen, night
TV is broadcasting the cough medicine advertisement played by Tommy.
Tommy was standing at the door coughing in his pajamas: "Mom, my throat hurts."
Tommy's mother and father on TV gave him a spoonful of cough medicine.
Advertising slogan: "Children's cough syrup, mild and effective..." The
next morning, Tommy ran in the garden and stopped coughing.
Cole sat at the dining table and watched TV. When Tommy waved at the camera, he slammed a shoe against the switch of the TV, and the TV went black.
"Cole," Lin, who was adjusting the temperature regulator, stopped him: "No matter what they say, the heating is broken."
Lin stopped fiddle with the turntable and walked to the table.
Cole wore a pair of huge leather gloves left by his father.
Lynn: "Take off the gloves."
Cole removed the gloves and put them on the edge of the plate.
Lynn: "Don't put it on the table."
Cole put the gloves on his lap.
Lin was a little angry, it was the pain between their mother and son.
Lin and Cole ate quietly.
Lynn: "I looked at your drawer while cleaning the room."
Cole looked up, with an anxious look on his face.
Lynn: "Would you like to confess?"
Cole just watched.
Lynn: "Why do you always take that pendant?"
Cole put down the cutlery.
Lynn: "It's grandma's. It's not for fun. If it breaks, you know I'll be very sad."
Cole: "You cry because you miss grandmother so much."
Lyn said gently: "Yes."
Cole: "Sometimes people think that they have lost something, but they didn't. It was just removed."
Lyn: "That's it ." Did you remove the sinker?"
Cole shook his head.
Lin stared at Cole.
Cole: "Don't be angry."
Lynn: "Who took it, then?"
Cole didn't answer.
Lynn: "Maybe someone ran in, took the pendant, and put it in your drawer? Is that right?"
Cole: "Maybe."
Lynn stared at Cole: "I'm tired, Cole. Mine. I'm very tired physically and mentally. I need help. Our family's condition is not very good." Lin rolled up the napkin and continued: "I have been praying, maybe my way of praying is wrong. Now we can only ask for more blessings. We are. I can’t hold on without being confessed. Tell me honestly, I won’t be angry. Did you take the pendant?"
Cole
covered his face with both hands and shook his head: "No." Lin was angry: "You have enough, you The horse gets on and off the table."
Cole looked at his mother and didn't move.
Lin yelled, "Hurry up!"
Cole stood up and walked to her room.
(Cut in)
51. Interior, entrance hall, Ye
Cole just walked into the dark entrance hall, the puppy Sebastian ran out of Cole's room with a whisper, and arrows flew past Cole. Get under the sofa in the living room.
The almost closed door of Cole's room at the end of the hall slowly opened until it opened completely.
Just like a cartoon, a figure quickly walked into Cole's room from a room on the side. Cole watched in place.
The shadow came out of Cole's room again. It turned out to be a boy slightly older than Cole.
The boy said in a low voice hoarsely: "Hurry up, I will show you the gun my father hid." The boy turned and went into Cole's room again. The back of his head was gone.
(Cut in)
52. Interior, kitchen, Ye
Lin knelt on the kitchen floor trying to coax Sebastian out of a pile of debris.
Cole (voice-over): "Mom!"
Lin's eyes were a little red because they had just cried. She quickly wiped away the tears with her hand and turned to look at Cole.
Cole: "If your anger is gone, can I sleep with you tonight?"
Lin: "Look at me, Cole."
Cole looked at Lin.
Lin tried to smile: "I'm not very angry."
Cole plunged into Lin's arms.
Lynn: "Baby, why are you shaking?"
Cole didn't answer.
Lynn: "Cole, what's the matter?"
Cole closed his eyes and hugged his mother tightly.
Lin desperately: "Please tell me, please."
(Stacked)
53. Interior, antique shop, Japan
"This is from the Edwardian period, with meticulous inlays, full of fine diamonds and a Burmese sapphire. A classic." Anna was with a pair of young people. Three people are looking at the engagement ring in a glass cabinet.
Man: "Do you...do you have a more ordinary diamond ring?" The
woman glanced at her lover.
Woman: "Ordinary? Ordinary diamond ring with an ordinary wife?"
Man: "No, baby, don't be angry. You are beautiful, you are as beautiful as Burmese sapphires, you don't need these at all." The
woman doubted Ground: "Aha."
"Try it first, how does it feel?" Anna took out the ring from the cupboard and put it on the woman: "Is there a desire?" The
woman nodded.
Anna: "I think this diamond ring represents a desire. I imagine that the woman who once owned this diamond ring must have had an unforgettable relationship." The
woman glanced at Anna and asked with great interest: "He has curly hair and Brown eyes?" The
man cast a very weird glance at his fiancée.
Anna: "I don't know, but... there are many jewelry here that give me a different feeling. You should choose the right one. I think that when people die, everything they have will leave their marks on it. , Such as fingerprints."
(cut in)
54. Interior, antique shop,
Nianna packed the ring in a box.
Sean came up from the basement with an antique chair on his back and found a place to put it down.
Sean: "You don't need a master's degree, you need a brawny man."
Anna: "I need a strong man with a master's degree."
Anna took out a wrapped birthday gift to Sean.
Sean: "What's this?"
Anna: "Happy birthday!"
Sean: "Did you give it?"
Anna nodded.
Sean opened the package and it was a book. The worn-out writing read "The Great Gatsby".
Anna: "This is the first edition book."
Sean: "You must have spent a lot of money."
Anna jokingly: "No, I will deduct it from your year-end bonus."
Sean: "Awesome, Anna, Thank you."
Sean hugged Anna. Suddenly there was a loud noise and the glass of the shop broke. Anna and Sean separated quickly and ran to the door of the store, and saw the glass of the front door shattered into cobwebs.
They opened the door carefully and went out without seeing any suspicious people.
(Cut in)
55. Location, street,
Malcolm walked on the sidewalk angrily.
(Cut in)
56. Interior, office, the
office is quiet in the afternoon . Cole and Malcolm sat face to face at a mixed-color desk.
Cole: "...what do you want most?"
Malcolm: "I don't know."
Cole: "I said what I want."
Malcolm: "I know what I want. Can follow My wife talked again, just as before, back to the world of two people."
Colwyn asked gently: "What are you going to do?"
Malcolm whispered, "I can't be your doctor anymore. I have no care. Family, this is wrong. Do you understand? I will introduce you...I know two..."
Cole said softly: "Don't give up on me."
Malcolm's eyes were sharp.
Cole: "Don't give up on me, you are the only one who can help me, I know."
Malcolm tried to calm down, but failed: "I can't help you. Someone will help you."
Cole started Crying, almost begging: "Dr. Clovey, you believe me, do
n't you ?" The two were speechless.
Cole: "Dr. Clovey, do you believe my secret?"
Malcolm: "I don't know how to answer."
Cole looked for the answer on Malcolm's face, and Malcolm looked away.
Cole took a copper plate out of his pocket and placed it gently on the table: "If you don't believe me, how can you help me?"
Malcolm looked at the copper plate and then at Cole's painful eyes.
Cole said softly: "Some magic is real."
(cut in)
57. Interior, basement,
Malcolm sitting at the desk in the afternoon . The framed certificate issued to him by the Philadelphia government was stacked with several packed boxes.
Malcolm leaned back in his chair, lost in thought.
(Flashback) Vincent: Do you know why people are afraid when they are alone? I know I know.
Malcolm sat upright and found Vincent Gray's tape in a marked box.
(Cut in)
58. Interior view, basement, afternoon
(tape) door opening and closing sound.
Malcolm: "Sorry for keeping you waiting so long. It's cold here."
Malcolm walked and sat down.
Malcolm: "Vincent, why are you crying?"
A boy about ten years old.
Vincent: "You won't believe me." Vincent sniffed.
Malcolm rewinds and replays:
(tape) Malcolm: "Sorry for keeping you waiting so long. It's so cold here."
Malcolm rewinds a little more tape and replays: (tape) Malcolm :
(tape) Malcolm: "You know, I don't like syringes either. I had a blood test when I was a child, and I vomited a nurse."
Vincent chuckled.
The sound of the door opening.
Secretary: "Sorry, Doctor Reid is on line 2."
Malcolm: "I have to answer this call. You can wait here, okay?"
Vincent: "Okay."
Malcolm and the secretary walked out of the room. Door, close the door.
There was no movement for a long time, and then there was the sound of a chair rubbing the floor suddenly. Vincent was short of breath.
It seems that some faint electromagnetic sound on the tape has been filtered.
Malcolm rewinds the tape while turning the volume to maximum.
The entire basement is full of electromagnetic noise.
Malcolm listened carefully.
Amidst a bunch of electromagnetic sounds, a voice appeared, the voice of a man:
"Familia...No dejen que esto me pase...Mi familia...Yo no quiero morir...Familia"
Malcolm couldn't believe his ears: "My God!"
(cut in)
59 .Interior view, church,
Malcolm walked quickly along the middle aisle in the late afternoon , eyeing every empty seat.
Cole: "Are you busy lately?"
Malcolm followed the voice and looked up. Cole was playing with his soldiers on the railing of the box. He lowered his head and spoke to Malcolm: "This is better? I like to be busy, it's good. Would you like to ask me questions now?"
Malcolm shook his head.
Cole raised his plastic soldier and asked, "Want to join the 7th Marine Corps? We have just been sent to fight in Vietnam."
Malcolm: "Let's wait."
Cole: "Something happened, yes. Is it?"
Malcolm nodded.
Cole: "Are you terrified?"
Malcolm looked at the empty church and said, "Yes. I think so."
Cole put away the soldiers and got out of the box.
Malcolm: "Do you know what'Yo no quiero morir' means? In Spanish, it means'I don't want to die.' What do you want those ghosts to do with you? Think about it."
Cole returned to one. Sit down on the stool.
Malcolm: "Think about it, what do they want to do?"
Cole: "I want to help."
Malcolm said firmly: "Yes, I think so too. They want your help, even those scary ...I think I know how to make them go away."
Cole: "How to do it?"
Malcolm: "Listen to them."
Cole shook his head: "What if they don't want me to help? What if they just want to hurt others?"
Malcolm: "I don't think so."
Cole said suspiciously, "How can you be sure?"
Marco M: "I'm not sure."
(Stacked)
60. Location, home, Ye
Malcolm turned the corner of the street and saw Sean coming out of his house.
Malcolm walked towards Sean angrily.
Sean didn't realize there was someone nearby, got into the car and started the engine.
Malcolm was a few seconds late, and Sean drove away.
Malcolm angrily watched the car leave, and looked at his home, in irresistible pain.
(Fade out)
61. Interior view, Brown Stone Street,
quiet in the night house.
Cole slept in the tent with the puppy Sebastian curled up beside him.
Cole opened his eyes and he heard his mother calling in her room: "Cole...what's the matter?"
Cole got up quickly and rushed out of the tent. He stumbled on the chair with his feet, unaware that the sheets tied to the chair were loose.
(Cut in)
62. Interior view, entrance hall, Ye
Cole walks through the corridor and pushes open the door of his mother's bedroom.
(Cut in)
63. Interior view, Lin's bedroom, Ye
Cole stood at the door of his mother's bedroom and looked around carefully. It was quiet.
Lin's room was empty, there were no paintings, and no people living together. A simple bed is placed in a corner.
"What's wrong with you?" Lin was talking in a dream, her face twisted by the sadness in her heart: "Someone hurt you? I'll beat them."
Cole touched his mother's forehead with his little hand, and said softly: " Mom, go to sleep."
Lin Guo really fell asleep quietly.
(Cut in)
64. Interior view, bedroom, Ye
Cole sat in front of the tent and examined it for a long time. It seemed that someone had moved. He tightly tied the sheets to the chair and hurried into the tent.
(Cut in)
65. Interior view, tent, Ye
Keer turns on the flashlight. The tent is lit up. But the roof of the tent began to crack. Cole followed the crack and saw an 8-year-old girl vomiting in a corner of the tent. Cole ran out of the tent like an escape, and the entire tent collapsed.
(Cut in)
66. Interior view, living room, Ye
Cole ran into the living room and hid on the sofa.
Sebastian had already hid under the sofa.
Cole held his breath and waited. Nothing happened.
He took a breath and glanced at the bedroom, as if nothing happened.
(Cut in)
67. Interior view, Cole's bedroom,
a few seconds later at night . Cole stood at the door, looked at the tent that stood like a hump, and made a determination. He walked to the tent and slowly turned off the sheets. It was still the girl.
The girl retched twice. She looked up at Cole and said, "I feel better now."
Cole: "What do you want to tell me?"
(cut into)
68. Interior, bus,
Malcolm and Cole Er wears formal attire.
Cole put his head on the car window glass, looking at the scenery outside.
The car is passing a cemetery.
Cole drew his head from the car window quickly, calmed down, and said to Malcolm: "She ran a long way to find me, didn't she?"
Malcolm: "I think so."
Cole said nothing. Take out the tie and fasten it.
(Cut in)
69. Location, home, afternoon
A simple-looking house stands on the corner of the street, with a well-maintained lawn in front of the house. People in black formal attire came in and out sadly through the front door.
Cole and Malcolm joined the crowd of visitors and walked slowly towards the door.
A little girl about 4 years old sits on a swing in front of the house.
Cole: "Is it her sister?"
(cut in)
70. Interior, home, the
house was full of people in the afternoon . The grieving people gathered in twos and threes and talked in a low voice.
Conversation 1:
Visitor 1: "I experienced it when my dad passed away from cancer. But can you imagine this child being in bed for two years?"
Conversation 2:
Visitor 2: "How many doctors have you seen?"
Visitor 3 : "I think there are six."
Visitor 2: "Six doctors?"
Visitor 3: "I think so."
Conversation 3:
Visitor 4: "I heard that the little one is also sick..."
Conversation 4:
Visitor 5: "May God help them."
A family photo hangs by the stairs. In the photo, two girls, big and small, are standing in front of their parents, smiling at the guests.
Malcolm and Cole went upstairs quietly.
(Cut in)
71. Interior view, corridors,
long and narrow walkways in the afternoon are full of injections
View more about The Sixth Sense reviews
