In the opening movie of the New York Film Festival, his life is also regarded as the world's number one.
The content can be summarized as creepy phycho bitch met the twisted society.... Two and a half hours of film, about half an hour from the beginning of the climax, and then every time you feel that the climax is about to end, the plot will turn around. Rushing to the next climax, you think you have seen the end, but it's not like that at all. He secretly shot a series of social problems, and at the end I can’t tell who is the most perverted and whose problem is in the end. When I watched the whole film, I kept repeating "Holy shit..."...live in my heart. There is no drama in the world, the heroine who is actually at a moral disadvantage when living in the dominance, but when she finally gets it, she is the hero who is used or even sealed by a knife... Even all supporting actors, all unknowing others, all relatives and affair involved...Every character is a complete tragedy and a sacrifice of life.
The script and the director's skills are still in place, two and a half hours are slightly longer, but there is no loss of patience. The shots are clean and neat. I think the most interesting part of the editing is that there are several hints that are common in horror movies, but in fact nothing happened. I was worried for a long time, but the most direct and bloody shots appeared at the root. The moment without foreshadowing and psychological preparation, it is precise and powerful.
Both the male and female protagonists are first-rate, the male protagonist is broken enough and the heroine is perverted enough, and every smile is just right. And this year, NPH, which is popular in the four major camps of American TV series, movies, Broadway and Tony Awards, is scared (can) and lie because of not many appearances. It is also considered "death rightly" to die happily in the orgasm ==
Compared with the previous film, this one is not so violent throughout, nor is it so stark and direct cold tone gloomy, but the logic is better (although some points do not seem to be perfect), and the story is stronger. But the heaviness is not inferior to any one, it is more life-like grief and negativity, which makes every perversion have reason and reason, every Go crazy is reasonable and reasonable, tenderness and hatred love each other and kill each other, the actor is helpless and the audience is even more helpless. . Many seemingly dramatic exaggerations and craziness are actually just amplifying the various emotions and bridges in real life to the extreme effect. Watching and getting a cold back will not hesitate to abuse you.
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