thinking about a lot of bridges, I finally chose the most direct and frank expression due to my writing skills: This is a good film. A fun film. I
forgot the previous one before Quentin. Which director who is more famous once said: Many directors spend their entire life making a movie. Repeating a theme. It sounds a bit reasonable.
Especially for this so-called author movie.
Yes, "Falling Water Dog" is me I have watched the last of all the movies about this young uncle so far. Starting from the most prestigious
just that in "Pulp Fiction" he presented it in a fuller, more rounded and more perfect way. But the
stunning beauty is the stunning beauty It’s different from beautiful women who need cosmetics to decorate. Sometimes too thick powder and too thick makeup may distract the natural beauty of the facial features, sometimes small shortcomings and small flaws are cute.
For many people criticize the script for being too thin and the plot is too simple. I only It’s actually better to laugh at it. In fact, it’s better. The
thing I like most about Quentin is his constant chatter. Dong Lasi talked about nonsense. The
impression is very deep like Bill tells Uther in "Kill bill 2." Maman explained why she is a natural killer, God, he actually talked about superman Batman in American comics for a few minutes.
So in "Falling Water Dog" we can constantly find this kind of lengthy Dialogue. For example, the opening paragraph of the "gossip family" that made many people disgusted and confused. For example, Mr. Orange's fabricated drug trafficking career. But it is in this seemingly ordinary relationship between you and me that explains the subtle relationship between characters. At the beginning, Mr. Bai and Joe’s previous play shows the relationship and status of the two. The only one in the room who dares to grab and will grab the boss joe’s book is Mr. Bai. This is a preview of the two. The final confrontation between people, and Mr. Orange's timidity and reprimand.Mr. Pink's non-tips, etc. are all hints and foreshadowings for the follow-up story.
And the lines in the film are wonderful (all you can do is expect death, expect death that you won't get soon) (you look like a thief who just debuted, and I am a professional). Professional thief. Does it sound very good? Familiar. Don’t forget that it was manufactured in 1992. The
speed and tone of speech are also well grasped by each character. It sounds very comfortable. Just like Ge You’s Beijing accent in Feng Xiaogang's film. It’s a pity that the original work is in English, so there may be some humor. It's too local to understand. But it doesn't hurt. The
most famous is the uncle's so-called violent aesthetics. Mr. King paced and danced under the cheerful tune of "Billy's 70s" to skillfully cut off the one of the hard-working policeman. Is your mood complicated when you only have your ears. Isn't it disgusting and cool? Violence has become art in his eyes. So most of us can hear a lyrical jazz or a passionate rock at the climax of the violent conflict. Violence melts the music. Or the music melts into violence or the two blend together. It's unclear.
And he doesn't stop. In his films, violence is both ubiquitous and unexpected. Most of the injuries and deaths of the characters in the film happen inadvertently. Said talking and laughing in the wind, the ashes disappeared. "Larry. Don't use a gun at my father". Followed by bang. bang. bang. three times. The protagonists who followed us all fell down and lay there in a very different posture. Ya. Long live without the doctrine that chanted before dying, and the brave and good fighting. We are preconceived by revolutionary films. It is difficult for us to accept this arrangement. How can we die so soon? How can we die so badly? The audience often has not responded. He looked astonished. But maybe this is death and this is murder. In life, this truth is cruel, but it is a rare truth in movies.
As Quentin’s debut, as mentioned by an author The first film in the director often reveals his fundamental view of life. Perhaps life is a ridiculous film with a little black humor for him. The director is God, you and me, and he is just an actor who follows the script. Both the protagonist and the supporting role are called actors. It is destined to be destined, so the only way out is to learn how to play and how to play.
Because of this, we can feel the director's naughty throughout the film, using his few funds and films to play with the audience's imagination and even endurance. Even if it is not allowed to start the plot in a simple warehouse. Not reconciled to telling his story in a quiet and regular manner. So in the movie we can find inverted but not chaotic editing styles such as the famous ring structure in
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