After watching Frozen, I went to read the film reviews for the first time. Is it because I opened it in a wrong way or it was not the same Frozen that everyone saw. In short, before and when I watched it, I did have a great interest in the film. I hope to have the kind of surprise when I saw crazy primitive people, but after watching it, it should be more and more after seeing the second half. The more awkward it feels.
I have seen many comments that Frozen is a reform of Disney, abandoning the previous single model of princes and princesses, and extending the meaning of true love to the description of sisters’ affection. In the process of pursuing love, women are no longer passively accepted. The hero's mode of saving beauty and having his own choice in fate, so feminism took root in Disney animation. . . . . .
It is true that the film is different from the previous Disney animations, which brings a sense of freshness, but to me this freshness is not the feminism it shows (maybe it’s something I didn’t see right), but what it showed at the beginning. The setting mode of the dual protagonist, two very similar sisters, one has the ability but has to be confined because of this ability, and the personality has become calm and introverted, and the other is ordinary without magic but cheerful and lively. In this film, they are two sisters. They both laid a line separately and then combined the two lines together with their sisterhood.
However, it can be seen from the back that the film is made entirely with younger sister Anna as the protagonist. The double protagonist is actually just me yelling, but in terms of storytelling, Anna is not as narrative as her sister Elsa, who is a standard female in Anna. The Lord has a cheerful and strong personality. She will meet her "prince", and be together happily after some troubles, and then there will be no more. . . . . And sister Elsa is a typical superpower but limited by superpower and unable to communicate with people. Even relatives can only be alienated. This is the role that directors like to dig, and use the Elsa line in such a lengthy mountain climbing process. It is too wasteful to replace it, especially when Elsa escapes from the castle and releases herself on the snow-capped mountains. I personally think that the climax and the most exciting part of the whole film, whether it is the musical effect or the charm of the characters. The release has been maximized, which makes people unable to remove the eye, and makes the sister who has no role and characteristics before have an amazing change, but after that, there is no further digging and it ends. It feels like Just like a firework, there is only a moment.
My sister Anna’s side is like the most crappy Korean drama. I encountered multiple male protagonists and the most ordinary one who experienced suffering. After discovering that I liked that one who wanted to rob his own country, I remembered the warmth of ordinary men. In the end, The two are together. If you want to revolutionize and learn Korean dramas in emotional dramas, it’s not a drop! Of course, this film is not about the love scene as the main feature. It wants to show the affection between sisters, so there will be the setting of true love for her who was forced to save her later ...), this is all to lead to the later subversive plot, the younger sister chose the latter between her own life and the older sister’s life, and the older sister thaws the younger sister back to her younger sister with the affection between the sisters, so This story has nothing to do with the prince at all. It should be said that the male characters are all playing soy sauce. In that case, why do you need to go around such a big curve and spend so many frames in that love story that has no characteristics. In the end, the instinctual expression is clear and it is not clear, and the depth can not be deep. In the end, it is inexplicably Happy Ending. To be honest, the scenes that really impressed the two sisters are estimated to be the only scene where the front sister persevered in teasing her sister out at the door, and the one released by the latter sister. One section is plain and one section is gorgeous, but it is moving. But where did the father's affection go?
As an animation fan, I can’t accept this kind of hard-breaking of the plot for the sake of revolution and subversion. I can only say that the starting point and creativity are good, but I chose the wrong way of expression, and I rushed to the plot for the result regardless of the process. In practice, I really can't give it too high a score. But the music and effects are great! But neither of these two can conceal my disappointment with the unfolding of the story. To express this mood more precisely, Frozen's plot is completely unworthy of its music and effects. Although it is its music that makes Disney personalized to other animation companies, the basis of all animation movies is not music or effects, but Tell the audience a good story in the right way. If the story can't move people's hearts, the only thing that can be remembered is the music and effects, not the animation itself.
The long road to reform, don't forget the original and don't forget the heart.
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