This video tells us, never trust a woman who can behave perfectly at five o'clock in the morning.
This kind of woman has strong determination and self-control, and she can do whatever she wants to do, just like "The Great Mrs. Maisel", like Ella played by Eva Green, who is prominent in this film. She can be called out of care and love, but in fact she is constantly in control of others. And when the female writer Delphine "betrayed" her friendship and conspired to write about her tragic past, she could kill her without hesitation.
Watching the complete film, it is not difficult to find that there are two explanations for the story logic. What I just said is one-believing what happened according to the presentation of the picture, and the other is to attribute the existence of Ella to the psychological level of the female writer. Conjecture. The latter has a lot of theoretical basis. First of all, in addition to direct contact with the heroine, Ella claimed to have met or talked with outsiders, and finally it was confirmed that Ziwu must have: the school principal asked her face to face why she agreed but did not show up. The boyfriend also definitely has never spoken with Ella on the phone. It is simple to attribute these lies to Ella in order to possess the female writer, but if it is used as evidence that Ella does not exist, it is even more interesting.
Ella said that her career is to write autobiography for others, and she has no independent expression, but can only reflect the reflection of others like a ghost, and she firmly does not say who she is writing autobiography for, and further hollowed out the so-called ghostwriting career. Authenticity. The two had met in the coffee shop many times, and each time the waiter had a conversation with the female writer, Ella sat quietly to the side, cleverly isolated from the real surroundings. Ella lives alone, living on the opposite side of the street from the heroine, and there is no guest at the birthday party. Of course, these details can be described, but it is not the director's well-intentioned.
A female writer has a taste of fame for the first time. The long queue of readers makes her tireless, and her dealings with publishers and commercial socialization also destroy her nerves. She is connected with the well-known and strong literary show host. For a long time in a different place, the female writer has not received enough care, and the whole person shows a weak and sluggish mental state. At this time, the most terrible thing is the negative impact of fame. After the exposure has soared, female writers' past unconcerned by people has become the focus of public opinion discussion, and people frequently send malicious harassment letters. Judging from the direct evidence of the film, it is difficult for us to determine what happened to the female writer in the process of growing up. Maybe there was a terrible mother with strong desire for control and abnormal nerves, which caused her to live in the shadow of her mother all the time. To paraphrase Ella is a theory conceived by the female writer, her past is much more complete-the female writer was born in a depressive and disturbed family, her father had a serious tendency to violence, and she had witnessed her mother's suicide; To escape, she fantasizes about having a close friend, Qiqi; after the tormented adolescence, she burns her home with Qiqi, and gets rid of her terrible father forever; when she was 19 years old, she met Her husband, who was nearly 10 years older than herself, had a son and a daughter, but in the end her husband committed suicide in the wooden house where they were vacationing... These extreme experiences buried secret and complicated feelings in the heroine's heart, which made her become As a writer, the novel she created was very popular because of her emotional richness, but she knew from the bottom of her heart that it was time to write her own story.
If Ella doesn't exist, it's just the dark side of the woman writer's heart that is not well known, it can contrast well with her own gentle and fragile appearance. Under the pressure of public opinion, all the anger and resentment that the heroine should have were all expressed through the tough Ella: her stern duty to media reports, and she smashed the juicer if she didn't agree with her. The female writer is weak after all. She has been trying to escape all her life, and finally recalled that when she was overwhelmed by the pressure and wanted to commit suicide by taking rat poison, she also needed to imagine a non-existent "murderer."
Complex pathological psychology is the subject matter that Roman Polanski is good at, and it is also the key type that created Emmanuel Senier's status as an actor. This time, the silly white sweet female writer paired with femme fatale beauties of fictitious and arguing, coupled with an atmosphere of horror and suspense, and psychological hints that hesitate to speak and stop, everything is complete. However, comparing the classic works of control and anti-control such as "Bitter Moon" and "Venus in Fur" that the two collaborated before their peak period, "Adaptation of Truth" seems very mediocre, Olivia Assayas's The screenwriter did not necessarily increase the visibility of the movie. In Polanski's works in the past, the climax part was full of power. Perhaps it was a psychological rivalry between two people, or perhaps a person struggling with his own inescapable destiny. The tension and suspense atmosphere made the audience want to watch. However, in the climax of the film, the soundtrack is wonderful, but the confrontation between the two women is not fierce enough. From the beginning to the end it is Ella's crush on Delphine. Of course, you will understand at the end, from beginning to end. It is the female writers who are making their own brains. Perhaps the expressions on this point are too straightforward, and the two sides are not fully fighting, which is also the reason for the lack of aftertaste.
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