Bergman's posthumous work is a postscript to "Married Life", but no matter how you look at it, it is not just a sequel. It's a pity that I didn't look at the marriage life before. It's really a mistake. But this story, even if you don't read the previous work, there will be nothing that you don't understand.
In Bergman's life, almost all of his works are thoughts on propositions such as family, marriage, philosophy, morality, etc. It can be seen that he thinks very deeply, many, and it is inevitable that the expressions are obscure. Basically, he only expresses what he wants to express, and the audience understands by themselves according to the movie. At this time, what you see is what you see. I just got in touch with Bergman and I am not familiar with the director's work and life. I hope I can learn more about it later.
Let's talk about Sara Bond. The self-disclosure of the whole film is very shocking, it is almost an old man who cut his heart out for you to see. Regarding family, he even discussed the ethical issue of incest implicitly. This is the only thing I don't quite understand.
To tell the truth, the whole film is still a little cloudy, and I feel that it should be analyzed in conjunction with the director's life and other works. This is the second Bergman movie I have watched. I was just getting in touch, but I saw the posthumous work as soon as I came up. I didn't think about it well.
View more about Saraband reviews
