Dragging my exhausted body, I finally unlocked the painful journey second only to "Journey to the West".
It was supposed to be a brand-new work of "Classic Restart", but "Taxi Express" is uglier than the coconut water in Wanda Studios. It is also imported with original packaging. Although the coconut water is not salty or sweet, it is a serious canned drink at any rate. "Taxi Express" is wrapped in breadcrumbs and egg paste, and it is fried to a golden and bright bubble of rotten shit, even fresh. nothing.
The idea of combining racing with comedy was realized by the "Taxi Express" series as early as the end of the last century, and it became a big success. The "Tenth Screening Room" program also opened up an episode, taking "Taxi Express" as a classic example of the history of comedy development. However, the "Taxi Express" series still failed to break the common problem of film series becoming worse and worse, especially the fifth one.
Except for the old stalkers such as drag racing and police embarrassment, the screenwriters seem to be unable to think of other ways to arouse the audience's laughter. The degree of completion of the story is so low that it explodes in place. It can't be called a movie but a complete joke.
Marseille Mayor Gilbert and Marseille police station veteran You Tiao Alan are one of the few highlights in the film. In addition, the embarrassing interaction between the two male protagonists; the villain who exists for existence, leaving the bad superficially on the facial expressions; at a glance, it can be seen that the shooting is at normal speed, and the screening is accelerated. There is no excitement or even some unnecessary drag racing. The scene seems to be like a little ghost with neither fangs nor claws. While dancing vibrato with a second-rate dance, trying hard to make a funny laugh, he stretched his hand to the audience's not-so-rich wallet: "Look at me, are you scared?"
The most unbearable is the group of "freaks" in the police station. They are not only those who can't laugh in disguise and show ugliness, but they are also suspected of bullying vulnerable groups. How can filmmakers choose such vulgar jokes in the sequel of classics in Europe, where the affirmative movement is in the ascendant?
You Western artists still need to improve your knowledge!
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