There are professional clothes, deceptive in French. A scam that will not be suspected at all, humble and submissive. Behind the one who sang white face and the other who sang red face was deceived, there is a naked human nature. The modern information is too symmetrical, so there is not too much fun. In Fellini's films, he always symbolizes hope, which is a bit like "No Deception in the World". Bethhart's acting skills are absolutely unparalleled in his contemporaries. He has always thought it was a movie from the 1960s, but I didn't expect it to be a movie from 55 years. I can't find much information about Bethhart, and there is no documentary about him, but if there is no film, even this person would not know. When the soundtrack is released again, the mood changes in an instant. I originally wanted to give up, because the appearance of a girl is lost again. The soundtrack is not publicized, and the camera is not close-up. With his eyebrows, no man looks more pitiful than him. This is the last light and shadow of neo-realism. After taking away the tears of his daughter, it is the same as "The Bicycle Thief". Finally, the former partners are no longer. He has new accomplices and plays the same play every time. He keeps pacing the room and finally gets bored. The car in the foreground blocked part of the picture, and behind it was the big vision, and I saw "Paper Moon". The wolf is coming.
The last two-way distance, the corpse that died with the wind
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