The screenwriter of this play was very careful. Some lines, such as Jackie Chan's refusal to join the Revolutionary Party, were very brilliant, and Maggie Cheung's room influenced many later movies, including "Nine Class Sesame Officials" and "Chinatown Detective." The fighting action scenes are also thoughtful, so I don’t feel clichéd when I look at them.
One thing that is commendable about this play is that it doesn't portray Jackie Chan as a one-to-ten enemy. Sometimes he has to rely on wit to defeat the enemy, which seems real.
I watched a Jackie Chan documentary that year, saying that he never used a stand-in for filming, and tried his best to exaggerate his inability to kill and wounded countless whole bodies. Later, people familiar with the insider came forward to expose his myth. I very much suspect that in this scene Jackie Chan fell from a height and dropped two curtains in a row. Of course the flower shed is his real body.
Maggie Cheung is the most fascinating few big beauties, Guan Zhilin and Carina Lau are both vases.
The screenwriter Deng Jingsheng used to be Jackie Chan's queen screenwriter. I don't know what he did later.
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