Zhang Che's films always have an upright spirit, unlike Chu Yuan who attracts the audience through the suspense of the story. Zhang Che leads the film with his aura and is known to be masculine and beautiful. The stories of Zhang Che's films are often simpler, focusing on showing body and movement. Chu Yuan's movements were more elegant, while Zhang Che's movements were extremely rigid. It's not as brilliant as the current actions, each move is rigorous and natural and believable. His colleague Chu Yuan commented on Zhang Che: "He is a poet, but he can never tell stories well."
This film is similar to most of Zhang Che's films, that is, the purpose is very clear. Unlike some films, the monk Zhang Er is confused and confused. Mr. Zhang Che likes to open the sect, and he tells the film about the tasks to be completed at the beginning of the article, such as the joint cleanup of the missing persons in this film. The story of this film is relatively exciting. There are both fighting with the same door and colluding with officials and bandits. It also leaves room for the audience to figure out, such as who is the third child in the film. Of course, this suspenseful design is compared to Chuyuan's film. It's relatively low-level, but it's an improvement for Zhang Che. In addition, the self-awakening of the second child's human nature described in the film is also a bright spot, and the flat characters become rounded. The death of the fifth in the film, the justice of the fifth representative is destroyed, glowing with shocking tragic power.
As for the actions in this film, they should be superb, admiring the genius and imagination of the people of Hong Kong: a hundred feet and a thousand hands, a spirit snake, and so on. And it can be displayed well through the lens language.
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