The flaws are not concealed, the whole film is very interesting and delicate and euphemistic.
Including survival details, interspersed memories, close-ups of the number of bullets, the heroine's observation of the abnormal relationship between "father and daughter", the changes in the girl's eyes, and the hidden sense of crisis, including the preparation of the male and female owners in the tent before the earthquake to prepare to sacrifice their stepfathers and feed them to the baby. A lot of aspirin and blood, etc., the early details are a little bit obscure, so you feel that the pace is slow.
The final outcome is different from yours. I think the main reason for saving girls is not that they chose family affection as redemption, but that the heroine chose to help the disadvantaged first after weighing it up again and again. After all, girls have always been in their eyes. Existence without combat power that needs to be protected by priority (from the first distress, the male protagonist desperately rescues the girl stupidly, the female protagonist has repeatedly comforted, asked before the war, and finally is pressed by the zombie on the seat of the car. It is difficult to resist. It is more critical than the male protagonist. Situation etc.).
From my perspective, the final choice scene has shown that after experiencing self-salvation, cognitive choice and departure, the heroine wants to choose love after "love and betrayal", but there is only one bullet left, and the situation is critical. Girls are also very important to the "male hero father", and can only choose one of them to give priority to rescue. After all, the man’s combat power and environment (standing and fighting) have a slight advantage over the girl’s situation (squeezed on the seat of the car). Retreat), so I chose to give priority to the rescue of the girl, but I did not expect that it would directly lead to the death of the male protagonist
So in the end, the heroine was extremely depressive and desperate when she drove. For all this experience, for her children's husband, for the betrayal that shouldn't happen in the final battle but with sufficient reason, for this last wrong choice, for herself or herself Failed to get out of the shadows, you did not walk alone but brought the "scourge" of a girl. As the male protagonist said before, the key lies in your own choice.
Finally, I chose to bring the girl, probably because I chose to kill the infected daughter with my own hands. At least the girl is physically healthy and she cannot easily discard it.
View more about Here Alone reviews
