Roman Polanski took his charming wife Emmanuel Senier again to film, and this time also brought another coquettish goddess Eva Green.
The man who has watched "Bitter Moon" must not forget the sensual tap dance, the gothic provocative dance suit, the hanging hole stockings, and the Emmanuel Senier who creeps towards you and sends out a strong erotic signal. , Enough to conquer every man.
The appearance of Eva Green's famous broken arm Venus made the whole world sigh for her angelic face and graceful grace. There is a dark fire hidden under Eva Green's exquisite appearance, and that kind of mystery makes her have the unknown charm that she wants to let people find out.
Just looking at the faces of the two goddesses, I consumed 100 minutes of film length.
"Adapted from the Truth",
Relying on the collision of the goddess halo, it creates a dazzling attraction,
In addition, the extraordinary narrative ability of the master Roman Polanski also aroused the appetite of many fans before the film was released.
"Adapted from the Truth" has the genre elements of a thriller and mystery film .
It tells the horrible experience of a female writer who is suffering from creative bottlenecks after encountering mysterious female fan Ira (Eva Green).
Mysterious and unpredictable, Ella is step by step, and gradually draws closer to the anxious and lonely Daifen.
Become the best listener of Daifen,
Then talk about your most private troubles,
The relationship between the two quickly heated up, and Ella even moved directly to Daifen's home.
Daifen’s new works have been unable to write for a long time. She doesn’t want to spend extra time on interpersonal communication or lectures in colleges and universities. Ira intimately decides to pretend to be Daifen to give lectures in colleges to share her worries.
When the relationship between the two reached the highest point, Daffin invited Ella to her private house in the suburbs to create with peace of mind.
Ayla is responsible for all of Daifen’s diet and daily life. Sudden illness made Daifen unable to leave the bed. She was terrified to find that Ayla might be poisoned by her drinking water and food. She is studying her own creation. In the manuscript, Ella seems to be "transforming" into her step by step, preparing to take everything from her.
Roman Polanski is very good at squeezing the emotional tension between the characters in the indoor space. The relationship between Dyffin and Ira has gone from cold to hot, and finally there is a thrilling turn similar to "Ten Days in Danger". Created an unexpected and mysterious climax.
However, "Ten Days in Dangerous Love" is a psychological entanglement between fans and writers, and a representation of a game between the reader and the writer on the physical and creative rights;
In fact, "Adapted from the Truth" is an inner conflict after the shock of Daifen's spiritual world .
The pressure from the outside world continues to increase. The higher people's expectations of her, the less she dared to stop the pen in her hand. In fact, she is very skeptical of her work in the unexpected world.
She encountered creative obstacles, and the inspiration dried up because she had emptied her personal experience. The way of adding her mother's private past to the story and making her novels self-explanatory has been questioned.
People in the family have a lot of opinions about this, thinking that Daifen is disrespectful to his mother, humiliating the family and exposing personal privacy.
There are also several scenes in the film where Daifen is haunted by her mother's suicidal dream, which is a subconscious feeling of guilt.
In order to transfer pressure, carry out psychological projections, and even create conflicts, Daifen splits another “she” with a high degree of homosexuality , Ella and Ella , in the subject identity of the self .
According to the narrative of the film, in fact, we can find that Ella’s personality has been changing. The mystery is due to ignorance, but the personality of ordinary people is absolutely impossible to change. So this "she", Ella has always been Daifen’s expectations and imagination came to the writing.
Dafentai hopes to encounter wonderful "accidents" in the boring life in order to stimulate new creative inspiration. When she discovers Ella's unique and story-telling life experience, she is ecstatic and keeps approaching Ella. , Expecting to capture her "past".
But with the development of the story, it is difficult for us to really understand the origin of Ella’s life. Instead, we only know more about Daifen’s past.
Her creative way,
Dozens of diaries recorded as memories are the source of living water for her novels,
And her relationship with her husband living alone, etc.,
It can be judged from this that, in fact, the empty Ella can only be filled by Daifen, but Daifen , whose inspiration is exhausted, cannot create a character with a rich inner world, Ella, and can only find new things in her novels by resolving herself. The entry point.
This sensational entry point is the crisis of her subject identity. The closure, imprisonment, and escape of the climax of the third act have become the core and most readable part of her novel.
Ella is always hard to touch, fragmented, obscure,
And Daifen is true, accessible, and complete.
In this way, Daifen found a new entry point for his novel with a time of subjective identity. A strange and mysterious woman wants to seize your identity. Such a surprising story is really unstoppable.
In the famous author’s creation theory, many great writers will lose control in the process of creating novel characters.
The character constructed by the writer himself may finally get rid of the original vision of the writer completely, become a character out of his control, and develop a personality that surprises the author himself.
Complicated, hierarchical, and three-dimensional characters are undoubtedly more impressive to readers, because human nature is originally elusive and always in flux.
Those static, thin, and facialized characters can only provide a blunt touch, make people play, and quickly perceive the traces of construction.
Only like Daifen, let his mind fall into a division and struggle-style infighting, create a self mimicry reality in reality, experience, and feel, can I create a real and story-like character like Ella. , And the horror writing in the third act also comes from her imaginative experience, and the sense of fear revealed by her feelings of true feelings.
The so-called non-madness can’t live, let novels become life, and life become novels,
"Adapted from the Truth" presents a fictionalized inner heart of a writer when he is creating.
View more about D'après une histoire vraie reviews
