In the Cleveland International Film Festival, the first half is almost perfect, the character introduction and lens use are very novel and impactful, and the second half of the structure is a bit loose, but it can be regarded as fitting what the director wants to express. I like the clips where the music and the skateboarding scenes complement each other best. It is very moving and has a kind of free and romantic temperament in it. Once there are scenes of Zack holding a child skating or putting a baby basket on the drawing board, the white aunt behind me will sigh "Geeze...", again proving that the white people sitting in the cinema are not the same type of people as the white people in the film. .
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