A reverse thinking about "the 99.9% guilty rate also has a 0.01% possibility of being overturned". The double exposure effect formed by the close-up of the face in front of the glass makes the tears in the eyes no more than virtual images in the mirror. Kindness and malice can easily waver between words, just as the media can kill people with public opinion, use repeated lies to gain maximum trust or speculation, and finally succeed in allowing a third party to change the impression, question the truth, and even decide whether to live or die.
"The murder with personal grievances has a certain causal storyline behind it", so it can be sentenced to more serious crimes than "money-seeking murder, which is completely self-interested." All kinds of absurd words can persuade ignorance.
Although lawyers and prosecutors are sanctioned by the "law," they may be able to easily shake their minds because of the same identity and similar growth cycle. Eventually, they are washed away by a false sense of justice and become a murderer who sanctions life and death.
As an image that can only be read but not written, "container" accepts all the positive and negative evaluations produced by "blind people touching the elephant", and finally feels the original sin of "born as a human" in this deliberate despair.
In addition to the dramatization of the character contrast, the echoes of several repeated shots in the film make this film by Hirokazu Edema have a cinematic montage effect: for example, the surveillance video of Nakayoshi Koji in the rear window of the car. Foreshadowing, the same act of rolling the car window as Masaharu Fukuyama at the end of the film on the way home after learning of the reversal, the depressive outbreak was just a desire for fresh air and goodwill. And Masaharu Fukuyama's face-touching action when he walked out of the court was intended to echo the murderous scenes glued with blood. The murderers were malicious, and the lawyer became the "third-degree murderer" who judged life and death.
In the end, Ludovico Einaudi’s soundtrack added one star, but the overall still uses the slow pace of life to make a suspenseful theme film, which is very experimental, but it also needs to be carefully considered logically to perfect it.
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