If the plot of the female killer torturing the Japanese swordsman is still tolerable (although the plot is also racially discriminatory: a common role setting for Asian men in European and American film and television works-middle-aged and widowed Asian men alone A person is living a lonely and sexless old life outside the mainstream society), then the discrimination against Asians in that segment of the fight with the Asian killer is simply horrible (in the eyes of the director, Asians are short Kung fu with short arms and legs is a joke...) If this is a minority director mocking himself with a stereotype, it would be a different matter, but it seems that this movie is not the case.
The only thing that surprised me in the whole movie was the 40-minute flashback, which formed an intertextuality with the classic clips in the classic Billy Elliott, from the soundtrack, the framing, the actor's modeling, the running plot, and so on. However, this is a movie adapted from a comic, not a postmodern parody, so it is still very strange.
Inexplicably time-consuming movies.
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