Rating: 7 Keywords: No money, how can I trust you? 1. Consummation is the most important thing; the creative beginning, the old end, what a regular structure; unfortunately, most of the time, regularity is rigid. Possibly, the process belongs to the screenwriter, and the ending belongs to the audience, so the process can be intense, but the ending must be complete, and if it is not complete, it must be complete. Good stories are so ruined in the end. In the end, the scene of the old man deliberately killing people is not only too vulgar in the plot, but also contradictory in the characterization of the characters. The old man is not the person who did this kind of thing at all. Having said that, such a setting seems to be impossible. Because the story wants to be mainstream, you must punish evil and promote good, otherwise it will appear to be non-mainstream, and you will even be criticized for being wrong. 2. Manslaughter-frame-chase-lore; at the beginning, the girlfriend is gone; at the beginning, the evil old man drove the car and killed the villagers by mistake, emergency crisis management, and finally the handsome guy broke the contract; a corpse, two bullets, framed first, Both good and bad, both proactive and impeccable, perfect crisis management; then when the male protagonist breaks the contract, the confrontation is formed, the story officially begins, the conflict changes in an instant, the event develops ups and downs, explosive power, and the perfect opening. The opening scene turned out to be the most exciting part of the film. To be honest, at the beginning, there was a feeling of climax. The excitement of the opening is even better than the real climax of many movies. Because of this opening, the plot is tight and explosive, giving birth to unlimited possibilities. Development, the old man’s wild pursuit of the male lead, until the male lead counterattacks, the initiative transfers; Compared with the opening, the development of the story is calmer. In the end, let's not say this, it is complete but powerless. 3. The original nature of the wilderness; there is another reason for the exciting opening; the male lead was originally a guide, and after the opening, he changed into prey in seconds, which was an interesting reversal. The old man, who originally hunted the bighorn sheep, instantly turned into murder. At the beginning of the story, from manslaughter to murder, to agreement to confrontation, at the same time to complete the reversal of the role and the escalation of the conflict, it is the brightest part of the film. In addition, the spatial point of the wilderness itself is closer to primitive and pure. If you want to tell a story of chasing and hunting, is there a purer place than the wilderness? It is a pity that the wilderness pursuits in this film are not very brilliant. 4. For the sake of women, establish a dominant position in the population; this sentence might have become part of the theme of this film, especially considering the nature of the animals in the wilderness. Unfortunately, this film has no such deep meaning. The spirit of the male lead has been following in the footsteps of his girlfriend. But he never stopped imagining and hesitating to get something practical. On the contrary, it is the old man, who has always seized the opportunity and seized the initiative.
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