Living in anxiety is actually a way of life that is more able to prove that you really exist.
And such a sense of existence is not felt through the primitive way of contact with the self in a short period of time. It is through various factors such as emotional self-salvation, self-reflection after psychological breakdown, and reality's criticism of self. In order to promote this so-called anxious lifestyle, and the most important point of this lifestyle is truth.
Reality allows us to perceive all information from the outside world, which allows us to think according to our own logic. Under the usual logic that is not flexible, we are used to labeling external things, even if it has subverted traditional logic. But anxiety, the formalism that can bring realness to the self, has completely replaced the meaning of the traditional logic around itself.
Because formalism is no longer a reflection and criticism of the self, on the contrary, it will gradually form a new type of self-conventional logic through continuous understanding of the self. Anxiety exists by constantly breaking one's previous customary logic and it is true. The same kind of reality also requires us to perceive. Another way to induce anxiety is through the exploration of another way of life, that is, in completeness. If you deny self-existence, try to be someone you don't know. Therefore, in "Krisia", this anxiety spreads in every corner of the lens, and for the audience, this anxiety is undoubtedly a kind of introspection, finding a balance between self-salvation and self-fall.
"Krisia" also represents a new independent film model. It is not attached to the usual thinking logic of movie audiences, but is separated from the mind, and it separates the script, characters, performance, personality and other aspects. In the process of understanding, self-perception is needed to integrate it. It no longer intuitively conveys to us the effect of realism brought by a certain aspect or the feelings exerted by a certain character’s performance. On the one hand, it It does not represent anything substantive. On the other hand, the conditions required for perception can not reflect anything, but reflect oneself, or bring a sign to be expressed, and incorporate this sign into the movie. Transformation into a practical effect brought about by understanding.
At the same time, "Krisia" breaks down a story, and the process of breaking down also deepens this sense of anxiety, because it does not only represent a complete story, but the highlight is the character brought The main line of the story is explained through the scattered and fragmentary exchanges between the characters. This main line does not pay too much attention to the event itself, nor does it use a consistent narrative method to explain the plot, but needs to be understood by the audience. Cognitive plot points are expressed in the form of continuous dialogue between characters. The plot explained in the dialogue does not have a consistent continuity. On the contrary, it brings the audience a sense of self-recognition. Through self-understanding of the way the movie is shown, it will bring oneself to Klixia. Go to this character, to experience her feelings and thoughts at the time, to connect the whole story to understand her anxiety.
Kristia’s anxiety is actually a kind of over-exaggerated loneliness and despair, a continuous emotional outburst under disapproval, unable to control the inner irritability, using extreme methods to show in front of relatives, without hypocrisy or deliberately concealing, complying The original evil force in the heart hurts everyone in the family, but any anxiety has a reason, and these reasons that have never been mentioned are often painful memories that cannot be thrown away, rather than choosing to forget. It is better to bury this memory in anxiety, let it evaporate, and finally use anxiety to construct a real world.
Kristia’s world is very real, because freedom can express the true meaning most often, and the anxiety that freedom can bring can show the quality of freedom. Kristia’s only mistake is to put emotions on some kind of affection. Did not see the essence of the incident clearly, and anxiety made her become emotional, and she became helpless by pursuing some emotional rewards too much. But Kristia is not pitiful, but the long-term depression and changes in her inner world made her choose Another way to express yourself. Even if Krissia completely showed his anxiety, he did not achieve the desired effect. Anyone had reservations when dealing with others.
We can't show our "free" side like Kristia, because this side contains more of her indifference and selfishness, full of angular attitudes and opinions. But from another perspective, Kristia has taught us that this world also exists. Don't live like Kristia, but you can also yell.
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