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Claude 2022-02-22 08:02:20
After watching the four hundred hits, I watched the last four together a long time later. Antoine’s growth trajectory is not surprising, although I admit that I was a bit disappointed after the film was made-I think the last four are on the same plane (relaxed and full of tenderness); and the first is on another On the plane (struggle and rebellion). In the process of watching the movie, I was puzzled by "Stealing the Kiss" when the French student movement was in full swing in 1962, and I was often moved by some quite romantic moments. In the end, Antoine's story ends in the "reproduction" of his early "detective" career, which is a complete and sweet series. I do not object to the argument that the last three films in this series can be regarded as romance films at best; but it is considered a success to be able to make romance films into this virtue. (Towel City)
Extended Reading
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Colette Tazzi: You can't make everyone else pay for your rotten childhood.
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Liliane: Antoine's always falling apart. He needs a wife, a mistress, a little sister, a nanny, and a nurse.