The film "Milan Miracle" touched me by no means the compromise perspective of its typical capitalist twitchy attitude, nor its ambiguous transformation of class antagonism (the one who saved the proletariat turned out to be a god-given savior, who was getting unparalleled After the power, the proletariat gave up the struggle), but a few visual elements: a door standing diagonally in the wilderness, although in the later scenes I saw that Desika did not fully exploit the value of this intention, but this intention The feature of surrealism has profoundly influenced the subsequent movies, and it should be Malik's "Tree of Life" that truly used this intention to the extreme, which is a groundbreaking feat. The other is that when the protagonists were chased by the private army of the bourgeoisie until they had nowhere to go, suddenly the protagonist turned into a magic broomstick under the crotch of each partner with a magic pigeon, and everyone rode the broomstick together and flew into the sky. , Escaped the round-up by the private army. Flying on a broomstick has appeared in "The Wizard of Oz" a long time ago, and it is not new, but this section was obviously carried forward by "ET" decades later-the children were chased by adults and suddenly ET waved and all the children rode The bicycles are all flying. This is also the legacy of Desika's soup film to later generations.
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