I really like the structure image of this movie. It is smooth and silky, mixed with the Nordic-style cold and ethereal, the appearance is ice, and the heart is warm. It is shot in three perspectives, the third-person narrative lens; the image conceived in the brain of the blind female protagonist; and the image of the novel written by the female protagonist.
The pictures of the novel are amazing. It is really shooting literature, and even the most dispensable real inner activities of the characters are not lost. So these shots carry the natural and heavy weight of literature. As things progressed, the three perspectives were interspersed randomly, and the editing was very tense, highlighting the fragility and paranoia of the heroine. In the end, she couldn't distinguish the reality and the illusion, and the lens became dirty and chaotic, and everything ended. Becoming white makes people feel that this kind of paranoia is just a little fun.
The female characters portrayed by the heroine changed from a divorced mother at the beginning to a pregnant woman who lost her sight and was abandoned by one-night stand netizens. As the plot structure of the heroine gradually becomes sad, the audience can see the deep worries of the heroine. The confrontation between the hostess and her husband in her heart is also very exciting. From suspicion that her husband is only doing his duty to himself, to finally trusting her husband’s love, the last segment of the movie is very moving.
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