In "Wolf Boy", there is no man-made touching scenes. In the process of creating characters, there is no profligate hypocrisy in the expression of emotions, and no indifferent pretense. It can awaken our gratitude for the past years that we have forgotten. Even for people who have fallen into the quagmire of the secular world, they have the power to behave well. Although the only negative role played by Liu Yanxi, the arrogant Kuo Shao, appeared in the film, there was a wonderful chemical reaction between the folks, the police, the army cadres and other characters on the scene, and the film was so tight and rich in the end. Zhang Li's narrative expression is also attributed to the perceptual and delicate director skills of the rookie director Zhao Shengxi. Some people may say that the plot of "Wolf Boy" is clichéd, but it cannot be denied that it does bring me a strong emotional experience. This emotional power comes from the director's purification of our hearts in the process of shaping these warm characters.
I love you, but I still don't love you that much.
I love you, but I will only love one person in my life.
The most touching thing about the whole film is this delicateness. No line is superfluous, and every line is the soul of the whole story.
"I'm sorry, I just came back now. I'm sorry. I went to another country. I'm sorry. I married another man and had children. I'm sorry. I'm so old now and my hair is white." "............ No...still as beautiful as you back then...exactly the same..."
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