Suspense films and crime films often form an intersection, because they also require sufficiently complex subjects. This kind of intersection can often achieve the positive effect of perfection.
The subject of mental illness crimes is among the best. The professional complexity of patient characteristics, the uncovered story line of the uncocooning and the reversal of the plot, and the use of plot reversal ensure the enjoyment of these films.
In medicine, mental illness is a concept with a wide range of connotations and extensions. The mental illness cases that are often included in movies are mainly dissociative disorder (dissociative mental disorder), which is another concept subordinate to mental illness. In fact, the incidence of dissociation is very small. Types of dissociation disorders, including dissociative forgetting, dissociative wandering, dissociative identification disorder (commonly known as multiple personality disorder), and depersonalization. I think "Fragments of Memory" should be counted as a movie with dissociative forgetting as the theme (I dare not confirm it). For the subject of dissociative roaming, "Bourne's Identity" is a representative film. I don’t have much personal impression of movies that show depersonalization. As for the movies with dissociative identification barriers as the subject, there are countless movies, the more classic ones include "Fight Club", "Deadly ID", "The Detective" and so on.
In "Memories", Nolan fully showed off his skills in film narrative and structure, and he told the relatively uncomplicated story line very great. Because Male One suffered from a mental illness by accident, he was only able to remember what happened within a few minutes, and his brain was in a state of constant formatting. For this reason, he used paper memos to store his memories outside of his brain to achieve memory. Retention and coherence. By cutting and reorganizing the story line, Nolan intuitively showed the symptoms of the male number one to the audience, and also detonated the audience's logical and emotional climax through the blackened G-spot when the male protagonist tampered with his set rules.
"Bourne's Identity", the mainland translated as "The Bourne Shadows", another self-righteous and stupid translation, the translator can not catch the whole point of The Bourne Identity movie, it is the word Identity in the title. The film begins with the male’s loss of identity, laying various groundwork for his past experience and background, taking Bourne’s recovery of his true identity as the story line, and adding the pros and cons in the process just right. The classic action film elements of the film have created a masterpiece of suspense, and the term "disassociated roaming" is explained in the form of "the most luxurious slideshow".
There are too many movies with multiple personality disorders as the subject, but "Fatal ID" must be mentioned. Because it is an entry-level textbook on multiple personalities. The director played a trick on the story line: disguised the multiple-personality crime as a serial killer crime, and finally tore through the disguise. Of course, what really makes this film stand out among movies of the same subject is its narrative technique. This is a film that does not need to be replayed, does not need to be paused frame by frame, and only needs to be patient and insist on seeing the end to be able to understand it. The story is approachable.
If I want to find a dissociation movie made by Chinese, I can only move out of "The Detective" of the Galaxy image. This is a galaxy video work that is seriously underestimated. Compared with the flash of inspiration in "Very Suddenly", "The Detective" is always deliberate and full of design. It is doubtful whether there is a definite boundary between the spirit and the material in the world view established by The Detective. For the convenience of understanding, we can even simply and rudely believe that Chen Guibin has a certain super power, the super power that can be called the shining or something similar, even so, it will not reduce the quality of the whole movie. At first I thought that Chen Guibin played by Liu Qingyun was the male number one, but then I realized that He Jiaan played by An Zhijie is the real male number one. From the perspective of appreciation, I suggest that fans who watch for the first time should distinguish between two story lines, one by He Jiaan and the other by Chen Guibin. In the eyes of the two agents, the new and the old, they correspond to two worlds, He Jiaan. There is one world in his eyes, and another world in Chen Guibin's eyes. In the end, the world of the two people merged into one, and the moment when the blackening was completed, the audience was shocked at the climax of "Shards of Memory". From the perspective of expression, the breakthrough of "The Detective" compared with the previous movies of the same theme is reflected in that it is no longer a metaphor of human nature, but a concrete representation of human nature, corresponding to the visual effect. "The Detective" has repeatedly appeared through group images. The set, deduces what can be described as the wonderful state of the imagery.
The above works are basically mainstream commercial suspense/crime movies. The same is that they all cut into the subject of mental illness. The difference is that the mental illness world they show each has its own unique excitement. Welcome to the world of mental patients. However, remember that it is not advisable to stay here for too long.
Original address: http://i.mtime.com/lijingxing/blog/7679617/
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