Kusturica lost a bit of madness in the early days, and his relatively low-key but unique taste still has traces of unconstrained growth. The spiritual setting of the brass band in the underground can be traced back to the active music of the brother’s accordion, and finally the magical treatment of the isolation of the island. It can be seen that it can be traced back to the little boy's last ascent of sleepwalking. The tone of the whole film is slightly overcast, and the child’s first-person narrative is added with light joy. In addition to the debauchery of the Slavs, the atmosphere is very warm. The female athletes attempted suicide, the little girl left, and other stages are full of artistic conception, which shows their performance Emotional talent, but it has nothing to do with the narrative of the picture, and it reflects that his shooting ability is especially general.
Emil has made great efforts to create a political background and humanistic customs, focusing on the father-son relationship in ordinary families in a specific political era. Among them, the bitterness, happiness, and pain of this family are all told, the sadness and the sadness in the story Beauty seems to be unique to the film under the background of communism. With the accordion accompaniment, it shows the Eastern European style. The director has clicked on many places that could be sentimental, but under the color of tragedy, he can still taste that objective and heavy. The ending is fixed on the smiling face of the little boy's sleepwalking. It is the joy or the sadness that can only be left to the viewer's aftertaste!
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When Father Was Away on Business reviews
