Some thoughts on the female characters in the film

Verda 2022-01-22 08:02:12

Many people have talked about the plot, soundtrack, and shooting techniques, but the setting of the female characters in the film is very interesting. As a woman, in the first 180 minutes of the film, I wondered in my heart why the female characters in the film are so thin and boring, like an adjunct to a patriarchal society, with features such as plump breasts and fat buttocks and always flattering. Typical traits (laughs...).

From the description of eva in the last few minutes, it can be seen that Stiller in the upper world is an arrogant person. I inevitably think of the feature of "straight male cancer". It is not difficult to understand why Stiller set A sense of accessory of female characters in the second world.

But the only eva, Stiller from the upper world who does not need to be attached to the second world, her image is independent, does not need to be attached to a man, and her love looks the most real. But in the simulated world, are other people’s emotions real? I still don’t go into this philosophical question...

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Extended Reading
  • Laurie 2022-03-16 09:01:07

    4.5; Taking reality as the framework, deducting forward-looking sci-fi concepts, inspiring countless future generations, Borges-style "the world is in God's big dream" is split into a triple nested, repetitive sequence in this film. The meaning of "Zhuang Shengxiao dreams of butterflies"; the use of a large number of mirror images (mirror depths) and glass reflections means the spy and distorted splash mirror moon, all confirming Plato's "real world exists in the conscious world."

  • Demarco 2022-04-22 07:01:49

    There is absolutely no need to shoot for such a long time. It is indeed more artistic than the other-dimensional hacker. The latter is the kind of TV texture that distinguishes it from the camera position and composition of the music mirror image.

World on a Wire quotes

  • Fred Stiller: Here's a riddle I came across: imagine a drawing of a Greek warrior holding a spear looking to his right and taking a step. With a turtle going the same way. First, does that ring a bell? Ever seen such a drawing?

    Franz Hahn: Me? What's this all about?

    Fred Stiller: Vollmer left me this drawing. Does it mean anything to you?

    Franz Hahn: Bizarre, if you ask me.

    Fred Stiller: Bizarre, sure. Does it remind you of anything?

    Franz Hahn: Maybe.

    Fred Stiller: What?

    Franz Hahn: Zeno.

    Fred Stiller: Zeno?

    Franz Hahn: Yes. Zeno's paradox. Achilles and the tortoise. Achilles tries to overtake the tortoise, but cannot. By the time he reaches where it was, the turtle has moved ahead.

    Fred Stiller: What could the paradox mean to our work?

    Franz Hahn: I'm only the psychologist for the creations. But, as I recall, the paradox is meant to show that movement is an illusion.

  • Franz Hahn: I can imagine what Vollmer's shattering discovery was. I bet it had to do with his attitude towards the identity units we'd programmed in his computer. You remember how he called them "my children".

    Fred Stiller: He was only joking.

    Franz Hahn: You can't spend years feeding data into a computer that allows for the simulation of every aspect of human behavior without asking yourself if it might lead to the creation of something resembling human consciousness.