Without seeing the end, without looking at the cast, you will definitely not associate this stubborn, fierce two-sword turkey with the stylish personality of Karen Mok. I have watched it for many years, but many scenes are vividly vivid: a turkey with a knife intimidating the underworld; a turkey with a tongue sticking out and a double knife to chop meat frantically; after being rejected by the stars, sad and angry, and then left to save The lover's turkey. . . Looking at the urban petty bourgeoisie Karen Mok, it seems that they are two extremes that are completely out of tune. Such an effect can appear. I am very curious about Karen Mok's training for the role during shooting. In fact, the whole film is really nonsensical, full of absurd and irrational twists, but I still love this film because of this incredible Karen Mok.
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