(Only representing my own point of view, I wrote to play, refuses to tear
it up) This theatrical version would not be filmed without Netflix, in fact, it should be content. However, the center of gravity is completely different from the original work. There is only similarity but no god, only SHELL but no GHOST.
In fact, the comic is more like a road movie. Wuhai has been searching for the genetic factors of the network terminal from beginning to end, and has been fighting. I don't know when it all started, and when it will end. Time is exhausted, but the space seems even more infinite. "There is an exit 3000 kilometers away..." This scenario is just normal. The beginning and end of the manga can be regarded as a ring, it seems that everything is a lonely reincarnation.
The plot of the comics is also very scum, I know this. The Erping seems to be a plot that you are thinking about while painting. There are some small and broken bugs before and after, and the whole is not a grand epic story.
The whole story is just keep fighting, and keep walking, and meet different creatures. There is only a general framework, but the world view is extremely clear and has an extraordinary sense of substitution. The boundless loneliness makes me breathless. The
theater version is more like a western movie. A lonely knight arrives in a village, always sticking to his goal. Encountered a beautiful and strong girl (just to fall in love, but my goddess is cibo!).
Saved the village from the crisis, with strong American heroism. Not to mention the last "sacrifice as a village" (obviously not dead, but the slots are full) throw the collar that can shield the security guard to the beautiful and strong girl, and become a village legend!
In the early stage, Wuhai didn't speak, and shot silently, every second. (The heavy particle ray emission device turned out to be red, like a sulphur fire, with its own penetrating properties).
Then the battery is out of power. There are so many fighting scenes in the original work. Wuhai is not just using a gun to feed it, but it is also super strong.
When escaping from the automatic factory, he was forced to be silent and pretended not to shoot and did not dare to say that he was out of power. However, the movements were still slow and sluggish. Do you really feel like you can't kill him anymore?
Cibo's new body appeared on the stage (the hands were unexpectedly
cute ), forced to come up with the original "Mist, I'm here to save you!" and then ran slowly... Shanna was very handsome on the stage, eh. But the scene of fighting with Wuhai is basically that you step on me once, I step on you, you use a gun and I use a gun. . . Then it ended in a very playful BGM.
I watched the English dubbing. Although it seems that the voice actress has a luxurious plastic surgery, it is a pity that I didn't feel it.
I can't edit it anymore, so let's do it. In fact, it's just complaining. It's a very mindless and routine film, but it is very eye-catching because of the worldview and scenes of the original book. Recently, a lot of science fiction movies have been changed, and so is the attack on the shell. Although it has expanded the audience, it always comes at the cost of losing GHOST, alas.
———————— I changed the dividing line from three stars to four stars————————————————————
Think about the picture,
the degree of restoration of the picture It's really very tall, and it doesn't live up to the style of the second bottle of architecture. You can use it as a wallpaper if you pause and cut two pictures.
This scene can't be exaggerated, it's a good idea to add stars.
Think about the story again.
Since Wuhai’s journey has not known how long it has lasted, all the stories we can see from the comics and the theater version are just a fraction.
Wuhai doesn't know how many humans suspected of carrying the genetic factors of the Internet terminal have been returned to the beginning of the comic, but only this time the girl appeared.
That being the case, in this general search, we don't know how many "cibo" Wuhai encountered, how many times "electric-based fisherman", and how many times similar or different stories have occurred.
So even if there are deficiencies in the stories that happened in the theater version, you can choose to forgive. Not all stories are perfect.
(But for a single movie, such a story is definitely not enough.)
But even so, the entry point and focus of the story are still important.
(It’s just forcibly finding a reason for the sequel. No matter how the filming is, I still want to watch it. Of course I still want to make it better.)
(The theory of infinite possibilities is cheating, but I suddenly discovered that this is also the charm of BLAME. 1)
Knowing that I didn't write well, I easily dropped Zhihu's comments on the comics.
How to evaluate the comic "BLAME!"
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