In my eyes, Ou Rong is always a director whose talent is lower than his reputation. To say that he had a good reputation does not mean to be derogatory. It's just that his repeated favor in the European market makes me somewhat disapproving. There is nothing novel in "New Girlfriend", whether it is the phantom in the bathroom, the interspersed opera passages, the romantic setting, or the close-up of the nipple, they are all from the "Pool", "Into the Room" and "Bami Tu". Catch some and throw it into "New Girlfriend" and simmer it. Either it is a dream substitution or a car accident rescue... These old things are not only used by Chinese filmmakers as treasures, and they have long been a bridge in the cinema to close your eyes and calm your mind. The whole movie reminds me of "Two-sided Lawrence" or "Bad Education". Of course, it is closer to the former in terms of mirror art, and its temperament is closer to the latter. The beginning of the personal design is quite exciting, but it is almost unfinished. A little bit less hypocritical of Dolan, a little bit less spirituality of Almodovar. So it adds up to a love-hate relationship. Maybe he is old after all. Too many people have explored and explored the path of LGBT. Ou Rong’s talents have been exhausted. We can only look forward to the fact that it’s dry and the water hidden under the surface can once again make him "Entering the House". . The only luck is that I like the protagonist very much. Both the performance and the temperament are at least comforting. Bracket is so cute, his calves are so thin that they are unreasonable!
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