The movie has never directly and rigidly expressed the protagonist's difficult situation. It is foreshadowed by the ignorance and beauty of first love. There is nothing more frustrating than the broken of beautiful things. Until the protagonist pulls off the oxygen mask of the vegetative mother and travels far away, the plot development is still so gentle, pulling up the rhythm of the tragedy without exaggeration, maybe the hardship is self-evident and it doesn't take time.
The whole movie is like restoring the feeling of listening to the past. That's one kind, you know that he is talking about a terrible thing, but you can't feel sad, your world is just a little swaying, vaguely skipping all misfortunes, and occasionally a few stimulating truths Tragedy, and because of not being able to feel the experience of people, there is a kind of vague cruelty. The movie developed in an instant, the protagonist killed his mother, how did his kindness change? It's actually a kind of inner disconnection. The truth is our misfortune to others, and the limit is just like this, it is impossible to fully appreciate it. Perfectly reproduced.
Fortunately, it is a warm ending, good night.
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