In fact , the theme of this film is very clear, that is-the pain of losing a child! People who are not parents will never understand this.
The description of the heroine’s derailment in the first half of the film is to highlight her guilt in the second half of the film—this is not because she betrayed her marriage, but because she lived out because of the derailment, and thus had a yin and yang relationship with her beloved son. Separated. She subconsciously felt that there was a causal relationship between her derailment and the death of her beloved son.
When the hostess was looking for the bomber’s wife, she found that she also had a son. Not only did she not complain with grievances, but instead transferred her mother's love to this child (is this a kind of Stockholm syndrome in disguise?), so that the hostess has spiritual sustenance in her life. But the cruel social reality shattered her newly ignited hope!
A side line of the film is that the love reporter's persistent investigation into the bombing (to compensate for his guilt towards the heroine), which seems to have nothing to do with the subject, but actually pave the way for the heroine's turning point. The final result of the bombing investigation was a showdown between the heroine and the police lover in the RV. The truth revealed that the maidservant was completely desperate for reality (although she actually knew the answer when she got the list), and was immersed in the fantasy of the resurrection of her beloved son from the dead.
It really doesn’t really matter who the father of the new life was born at the end of the film. The important thing is that the heroine's life has hope again, and her son is resurrected...
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