Happy people don't travel far

Haley 2022-12-18 01:47:22

Whether this old-fashioned lyric is correct or not, Patrick, who has gone away from Denver, is definitely not happy. According to his vision-go far away and start all over again. So did everything really start again?

Although it is very disgusting that the screenwriters finally decorated K and R as red roses and white roses, for Patrick, the choice of K and R is indeed a question he can't avoid. His swing between the two became a dramatic conflict throughout.

So, What is he looking for?

I don't know if I can say that Patrick loves Kevin more, after all, the emotional tension between them is far better than PR. Regardless of status, status, ideals, or ambitions, K is more glamorous than R. We can even say that they are so like-minded, not just physical attraction! no way! So what is left for R? I'm not saying that R is unattractive to Patrick, but maybe because the screenwriter is too hard to discredit Brady and the blunt pairing of Lalang (which is unfair to Brady, R, and even Patrick), so that R is labeled with capitals " 100% loyal", and it seems that there is only one loyalty left. (For this, of course K is a scumbag.)

Why is there no Mr. Perfect?

Patrick’s choice is probably full of such narrations. Why is he a barber and doesn’t plan to open his own shop? Why does he have a boyfriend? Why can't he only love me from now on? So that it seems that every time his choice is falling down by the wind, even from one side to the other, just because the other option doesn't exist.

So I don't think that the ending of the film is the Happy Ending of the prince and the prince. Patrick, who can't really solve this puzzle, will eventually keep looking. Maybe this puzzle can't be solved completely. How much do we really know about our true desires?
Probably Patrick can grow up from the conversation with K, or he may have to experience such and this entanglement with many K and R again and again, and understand himself bit by bit in this long journey. Probably This is what he is really looking for.






The space limitation and the protagonist's halo made the lines of Agustín and Dom a green leaf. In the context of American marriage equality, Agustín's wedding is very suitable. The conversation between Patrick and the judge at the wedding was quite intriguing. But the most obvious thing is that marriage is not the end.

It's just a pity that Dom has completely become the green leaf among the green leaves. Is the screenwriter trying to tell us that at that age, we should work as hard as him and don't fall in love? (Heavy fog).



Seeing the last of you, I wish all the best.

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