get rid of Kevin's distress. Believe me, the brady whose character is ruined is much pitiful.
The two screenwriters seemed to think that the audience was so powerful that they knew the plot in the middle of their transition from the movie to the TV series.
Although the film tried hard to portray Richie's implicit feeling of princess princess
at the beginning of the movie, there is such a plot in S02E08: when PK dances, R casts a complicated look at P, and sees R once deeply. The annoyance and unwillingness of the lover and the other people's end-of-kind relationship is vividly expressed in the limited space, and the comparison is made, and the handling method is superior to the judgment.
In the movie, R's implicit and ambiguous feelings towards P are portrayed bluntly and deliberately.
If P and R are set to be together at the beginning, then if the TV series can be released for a few more seasons, it should be possible to make the characters fuller, and the whole story will be logical.
But now that the film is limited in length, the ending should be changed or the feelings of the characters should be considered more strictly. Unfortunately, the same was not achieved.
Finally speaking of Brady, to be honest, he really doesn't need to appear in the movie. He just needs to meet P and R in the bar at the beginning of the movie, and then the two exchange greetings. P seems to casually mention the other party's recent relationship status. R was a little embarrassed and worried about what P noticed to explain. B found that he was far from "love" to him, so he quit. However, there is no such setting. In the movie, p is equivalent to destroying other people's feelings again (I have to admit that the ambiguous signal P sent to R is very annoying to outsiders), so what has he grown? . .
The whole movie is almost PR together, Brady will jump in there and interject a few words insanely.
B used to be a columnist with a unique attitude and insight, but now she has become a foot-bound woman
who is careful to guard against her husband going out all day long . The set collapses at will, especially at the end of the paragraph. Surrounded by soap operas at eight o'clock.
Then, after the quarrel, R broke up with B and immediately returned to the bar and kissed P. This rapid development has never happened in the TV series.
Once again disappointed with the screenwriter.
Speaking of Kevin, this part of him hasn't collapsed much, he has inherited the image of the TV series, and has reasonable dialogues. It makes me have to think about which screenwriter has the lasting thoughts on this role and designed the dialogue with such care. The parts of Agustín and Dom also continue the usual standards of TV.
The ending shots are great and the atmosphere creation is in place. It can only be said that director Andrew Haigh is good at it. But by heart? I just think this is a work for the audience, which is out of standard.
As for R, apart from the first season’s date and the tearful breakup at the end of the season, I really don’t see how special his feelings for P are. Maybe he needs a whole season of plot instead of a movie.
As for K, moral guards criticized the relationship between him and P in the three views, but sex and the city ten years ago were able to resist the so-called three views and let Carrie and the prodigal son Mr. Big be together, not to mention the fact that In the relationship, Kevin is more involved and brave than Big.
When the trailer was released, I thought that no one had chosen P. I continued to look at this theme in search of true love, full of expectations.
As a fan, I’ve been waiting for a year and a half to see such a hasty ending. I really can’t feel happy.
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