Different from book title

Felipe 2022-05-09 18:33:13

The opening of the sect is not necessarily clear. The documentary is called Hitchcock and Truffau, but it is not a documentary of these two people, but interviews with many famous artists. The interview format was quite casual and relaxed, and the film review materials were mixed with the way of talking, and the switching was going on, looking back at the life of Hitchcock, the master of the film. The people interviewed and reviewed during the period were all great directors. As for interviews and exchanges, the issues are very complex, professional, emotional, and communication. Because of the large number of characters, each person's point of view is also from different people's personal understanding, and talked about their own opinions and feelings about the senior masters. These 12 great directors interviewed. Among them, Wes Anderson / Olivier Assayas / Peter Bogdanovic / Arnold Desprichin / David Finch / James · Gray / Alfred Hitchcock / Kurosawa Kiyoshi / Richard Linklater / Paul Schrader / Martin Scorsese / Francois Truffau. This does not include the people who appear in the expansion. Everyone is a movie guy with his own characteristics. The list is so long that it is almost three tables, but the most special one is Truffaut. Especially the feelings of communication. The friendship between Hitchcock and Truffau was surprisingly good. Before I knew about the dialogue between the two, it was hard to think of New Wave Truffau and the master of suspense Hitchcock. Sparks came, these two schools are really far apart. I thought that these two countries and video styles are completely different, there should not be too many intersections. So I thought that this documentary would focus on the exchanges between the two, and more about the content of the dialogue, but otherwise. The documentary is quite covered in rain and dew, and lists many people's feelings and talks, but the content is very plain and close to life. It just seems that the interspersed information film interviews are a bit messy, and there is no system to organize them. It's like an interview set.

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Extended Reading

Hitchcock/Truffaut quotes

  • Alfred Hitchcock: [Discussing "Psycho"] It was necessary to make the robbery and what happened to the girl, purposely on the long side, to get an audience absorbed with her plight. Where I slowed up was when I came to the scenes that indicated time and trouble.

  • Martin Scorsese: [Discussing "Psycho"] The best scenes for me are, one's he must have spent time on, the driving shots. You had to spend time on those, particularly the points of view, somehow. And the framing of Janet Leigh in the center of the frame with the top of the steering wheel in the bottom of the frame. Because, you can make a choice. You can go above the steering wheel, you know, or you can go further out. But, then, maybe you won't see her eyes as well. That's like the perfect size. The scene with the policeman, of course, the framing of him staring into the car, yes, we know, with the glasses, he's scary. But, there is something about the restraint of those frames. You see, the more you restrain, the better it is when the explosion happens. And on the way to the explosion there are these meditative states. Driving. And there's a sense of movement ahead, movement ahead.